Harmonia Mundi
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A Four Seasons on autopilot from these period instrument players was never going to happen and the result is thrillingly visceral. Seiler hasn't set out merely to stand apart from the crowd...she... —
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Bach: Oster-Oratorium, BWV 249
Barbara Schlick (soprano), Kay Wessel, James Taylor, Peter Kooij (bass), Collegium Vocale Gent, Philippe Herreweghe
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a searching, intelligently curated selection brought to life on a warm, yet spritely 1928 Pleyel piano, the crystalline upper register a perfect match for the fifth Gnossienne...Overall, though,... —
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This is essentially youthful music, and the finely recorded debut recording by the Casals Quartet brings it across with all the freshness it needs. —
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His playing beautifully mirrors the unique soundworld, at once pungent and crystalline, of Messiaen’s keyboard idiom, and is phenomenally accurate even by today’s ultra-high technical standards. —
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Saint-Saëns: Symphony No. 3 'Organ Symphony' & Piano Concerto No. 4
Daniel Roth (organ), Jean-François Heisser (piano), Les Siècles, François-Xavier Roth
a truly one-off spectacle in which the organ’s presence in that famous finale is felt as in virtually no other recording. Also included is an equally compelling account of the Fourth Piano Concerto,... —
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Special offer. Americans. Bernstein / Barber / Crawford / Ives
Paul Jacobs, Luzerner Sinfonieorchester, James Gaffigan
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Two realisations of Annibale Padovane's Mass...both somewhat sedative in their unblemished beauty. —
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