Harmonia Mundi
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His playing beautifully mirrors the unique soundworld, at once pungent and crystalline, of Messiaen’s keyboard idiom, and is phenomenally accurate even by today’s ultra-high technical standards. —
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Marco dall’Aquila - Pieces for Lute
Paul O’Dette (lute: 6-course lute by Paul Thomson, London, 1984, after Magno Tieffenbrucker, c. 1550, 6-course alto lute by Grant Tomlinson, Vancouver, 1997, after Italian models)
O’Dette, whose playing is always beguilingly eloquent, presents as many dimensions of Dall’Aquila’s output as he can. Josquin’s In te Domine speravi is an appropriate conclusion given that the... —
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Bach, J S: Cantata BWV29 'Wir danken dir, Gott, wir danken dir', etc.
Deborah York, Ingeborg Danz & Mark Padmore
Collegium Vocale Gent, Philippe Herreweghe
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Mark Padmore sings Beethoven, Mozart & Haydn
Mark Padmore (tenor) & Kristian Bezuidenhout (fortepiano, Rosenberger, c.1820. Tuning: A = 430, unequal temperament)
In his Haydn and Mozart songs Padmore sings with an extra delicacy ... His Beethoven is stronger and more forthright, culminating in a heartfelt performance of the cycle An die ferne Geliebte.... —
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Rose of Sharon
100 Years of American Music (1770-1870)
Ensemble Phoenix Munich: Lydia Brotherton (soprano), Deborah Rentz-Moore (mezzo), Timothy Leigh Evan (tenor, drum), Joel Frederiksen (bass, guitar), Karen Walthinsen (violin), Andreas Haas (flute), Domen Marinčič (cello) & Axel Wolf (guitar), Joel Frederiksen (bass & direction)
Frederiksen and his musicians are as imaginative as they are respectful and zealous...and this CD is a viable recital, not just a catalogue...Is 'Rose of Sharon' of potential interest to non-Americans?... —
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As a first-rate Schubert player must, he knows how to make the piano ‘sing’, and very beautifully too. Nor is he merely sentient; he is a thinker. Structurally, dramatically, psychologically,... —
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This is essentially youthful music, and the finely recorded debut recording by the Casals Quartet brings it across with all the freshness it needs. —
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