Harmonia Mundi
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Brahms: Complete Liebeslieder Walzer, Op. 52 & 65, Hungarian Dances
Angela Gassenhuber, Philip Mayers (piano duo), RIAS Kammerchor, Justin Doyle
It is the pianists Angela Gassenhuber and Philip Mayers who make this performance, with readings which capture the teasing flirtatiousness of this music. In their hands, the interleaved Hungarian... —
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O Ravishing Delight
English airs
Alfred Deller (countertenor), Desmond Dupré (lute and viola di gamba)
David Munrow, Richard Lee (recorders), Robert Elliott (harpsichord)
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Dusapin: Medeamaterial
Hilde Leiland (soprano)
Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe
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Martinu: Violin Concerto No. 2
Isabelle Faust (violin) & Cedric Tiberghien (piano)
The Prague Philharmonia, Jirí Belohlávek
Martinu's Second Violin Concerto is one of his greatest works in the genre. From her very first entry, Isabelle Faust shows a strong feeling for the work's dramatic ebb and flow, and in the... —
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Gershwin By Grofé
Symphonic Jazz
Lincoln Mayorga (piano) & Al Gallodoro (alto saxophone, clarinet, bass clarinet)
Harmonie Ensemble/New York, Steven Richman
[Mayorga's] playing is assured, with an appealing flexibility. And the contribution of Steven Richman's Harmonie Ensemble New York is a delight: beautifully recorded (you can actually hear the... —
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Rameau: Castor et Pollux
Colin Ainsworth (Castor), Florian Sempey (Pollux), Emmanuelle de Negri (Télaire), Clémentine Margaine (Phoebe), Christian Immler (Jupiter), Sabine Devieilhe (Cléone), Philippe Talbot (Mercury), Virgile Ancely (High Priest)
Ensemble Pygmalion, Raphaël Pichon
Emmanuelle de Negri delivers a plangent account of Télaïre's Act II lament 'Tristes apprêts'...Clémentine Margaine is a characterful Phébé with a powerful, coppery chest voice...Though the Underworld... —
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12th-century music associated with the veneration of St James at Santiago de Compostela’s cathedral. Characterful vocalism from the eight male voices, including the spectacular basso profundo... —
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Mozart: Piano Concertos Nos. 17 & 22
Kristian Bezuidenhout [fortepiano: Paul McNulty, Divisov, Czech Republic, 2009, after Anton Walter & Sohn, Vienna, 1805]
Freiburger Barockorchester, Petra Müllejans
Bezuidenhout gives us characteristically thought-provoking performances of two of the great Mozart Concertos. Particularly felicitous is his use of solo orchestra strings for some of the music's... —
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