Harmonia Mundi

The perfect, and perfectly lovely, unity of Conspirare's choral tone was not entirely welcome. But they're not bland: their care for words and expression guards against that, as does their... — Gramophone Magazine, December 2009More…

Christoph Berner and Camillo Radicke animate proceedings with rhythmic guile and point, a refined sense of texture, and, in the more obviously "Spanish" numbers, a palpable sense of enjoyment...the... — Gramophone Magazine, November 2010More…

We owe Egarr our thanks for this sampler – a selection of gently expressive choral anthems, organ works and instrumental fantasias that establish him as a far-from-negligible precursor of Blow... — Financial Times, 27th July 2012, 3 out of 5 starsMore…

The instrumental playing under Bertrand Cuiller is supple and vivid, but the real star of the show here is soprano Rachel Redmond: she sings an Akeyrode drinking song with bright swagger and... — The Guardian, 28th September 2017, 4 out of 5 starsMore…

A richly enjoyable programme of cello-ensemble favourites, highlighted by Julius Engel’s sublime, Richard Strauss-in-overdrive- Hymnus, expertly played by the Cello-Ensemble Peter Buck, meticulously... — BBC Music Magazine, Christmas 2017, 4 out of 5 starsMore…

With Christoph Eschenbach’s imaginatively conceived accompaniments, Matthias Goerne’s burnished legato evoke[s] a darkly Romantic world, despite some very slow tempos and fugitive consonants. — BBC Music Magazine, January 2019, 4 out of 5 starsMore…

It’s superbly acted…Vuillermoz makes a seductive, insidious Devil, though the great performance comes from Denis Podalydès’s beautifully realised Soldier…The playing is dexterous, svelte, at... — Gramophone Magazine, November 2018More…