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Motets Croisés
Recorded at Abbaye Bénédictine de Pradines and at Collégiale Saint-Jean Baptiste de Roquemaure, France 2004
Dominique Vellard (tenor) & Jean-Pierre Leguay (organ)
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Music and Poetry in Saint Gall
Sequences and tropes (9th century)
Raphaël Boulay (tenor), Gerd Türk (tenor), Dominique Vellard (tenor), Emmanuel Bonnardot (baritone), Jacques Bona (bass) & Stephen Grant (bass)
Ensemble Gilles Binchois with Wulf Arlt
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Odi Euterpe
Italian monody in the early 17th century
Rosa Domínguez (mezzo), Mónica Pustilnik (archlute, Renaissance guitar & organ) & Dolores Costoyas (theorbo & Baroque guitar)
Rosa Dominguez has an attractively light and lyrical voice, warm in the middle register and bright in the upper one. Her phrasing is sensitive and improvised ornamentation in an appropriate... —
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Ghirlanda sacra: Early 17th-century music in Naples
Roberta Invernizzi (soprano), Antonella Ippolito (soprano), Daniela del Monaco (alto), Rosario Totaro (tenor)
Collegium Gregorianum della Pietrasanta & I Turchini, Antonio Florio
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Special offer. Mozart: Les Mystères d’Isis, Paris, 1801
adapted by Ludwig Wenzel Lachnith after Die Zauberflöte & other Mozart operas; French text by Étienne Morel de Chédeville
Chantal Santon-Jeffery (Pamina), Marie Lenormand (Mona), Renata Pokupić (Myrrène), Jean Teitgen (Zarastro), Tassis Christoyannis (Bochoris), Sébastien Droy (Isménor), Camille Poul (1ère Dame, 1ère Suivante), Jennifer Borghi (2e Dame, 2e Suivante), Élodie Méchain (3e Dame, 3e Suivante), Mathias Vidal...
Fasolis and his musicians give a fleetfooted performance, which is more than this mash-up probably received in its day, and most voices are well cast: Chantal Santon-Jeffery is a fresh-sounding... —
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Marais 1689: Pièces à une et à deux violes
Paolo Pandolfo (viola da gamba), Amélie Chemin (viola da gamba), Thomas Boysen (theorbo/Baroque guitar) & Markus Hünninger (harpsichord)
Few gambists are better versed in this repertoire than Paolo Pandolfo, whose playing is supple, poetic, effortless…[he] and fellow gambist Amélie Chemin dialogue and vie delightfully in the... —
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Caccini, F: La liberazione di Ruggerio dall'isola di Alcina
Elena Sartori (harpsichord/direction), Elena Biscuola, Mauro Borgioni, Gabriella Martellacci, Francesca Lombardi Mazzulli, Emanuela Galli, Raffaele Giordani & Yiannis Vassilakis
Allabastrina, La Pifarescha
The sensitivity of Caccini's word setting rings clear in this sober reading. The choral singing is clean and the instrumental ritornelli are shapely, with tart improvisations for percussion... —
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La Compagnia’s customary alertness to the meaning of particular words as well as the narrative is much in evidence … The five voices are joined by a sixth in Donna, se m’ancidete and the larger... —
