Genuin
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[Szymanowski], the Eliot’s intimate sonorities emphasize its links to Ravel and then to its echoes of Tristan. For the rough, folk rhythms of the Rondo (really a Scherzo), the Eliot delivers... —
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Verborgene Schätze ('Hidden Treasures')
Lieder by Friedrich Gernsheim
Anna Gann (soprano), Naoko Christ-Kato (piano)
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Beethoven: Die Klavierquartette, Wo0 36, Nos 1-3 & Op. 16a
Konstantin Sellheim, Klaviertrio Hannover
The performances by the Hanover Trio and Konstantin Sellheim are offered in open and spacious sound, with vivid definition of the instrumental timbres. The sound is on the bright side, but only... —
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Bassoon Concertos by Carl Maria von Weber, Marcel Bitsch, André Jolivet and Bernhard Crusell
Theo Plath (bassoon), Deutsche Radio Philharmonie, Leo McFall
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The Courante from the D-Minor Cello Suite is just lovely, bouncy in articulation...the following Sarabande is beautifully shaded, perfectly paced, and serious in character without ever falling... —
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