Evil Penguin
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Wispelwey’s G major repatriation [of the First Brahms Sonata] has reintroduced all the original’s soft, autumnal intimacy, further offset by the cello’s own more dulcet tones. It’s a winner,... —
Awards:
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International Classical Music Awards, 2019, Nominee - Chamber Music
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Roth finds a silvery sweetness for the more lyrical sections of the Stravinsky, an earthy fullness for the Brahms and skitters through the harmonics and left-hand pizzicato passages of the Wieniawski... —
Awards:
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International Classical Music Awards, 2022, Nominated - Chamber Music
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Schumann: Violin Sonatas No. 1 & 2; Fantasy, Op. 131
Joshua Brown (violin), Paolo Giacometti (piano)
These performances have a natural ebb and flow, a shapeliness to the phrasing and an understated, rather touching sense that the two players really could finish each other’s sentences. But they... —
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Zazzo's voice is pure, strong and individual....For the most part, [he] is a convincing storyteller. Indeed, he fits Burgon's cycle and Boyle's Two Love Lyrics into a cohesive, highly satisfying... —
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Brahms: Ein Deutsches Requiem, Op. 45
Lore Binon (soprano), Tassis Christoyannis (baritone)
Flemish Radio Choir, Hervé Niquet
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Wispelwey and Paolo Giacometti offer appropriately imperious performances of the first three moments and they’re admirably light in the affable finale…these are fine performances, and if you’re... —
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