Cleveland Orchestra
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The Sixth Symphony’s shocking innocence and grim drama has rarely sounded so close at hand. If there’s one thing I miss it’s the ability to stand back from vivid, immediate impression and bring... —
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They deliver a full measure of malicious glee when Prokofiev goes into pseudo-scherzando mode, and in all three movements they make climactic moments as scathing as they should be, colouring... —
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Punctilious articulation in all sections of the orchestra marks the opening movement, with phrasing more precisely etched than in most rival performances. There’s no sense of pedantry, however,... —
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In this live performance, the sumptuous-sounding Clevelanders provide just what you’d want from Bruckner’s hunting-inspired symphony: a stirring sunrise, a sense of mystery and trepidation as... —
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Schnittke: Concerto For Piano and Strings & Prokofiev: Symphony No. 2
Yefim Bronfman (piano), Cleveland Orchestra, Franz Welser-Möst
In live performance you might want more drive in the first movement of Prokofiev Two, but excellent recorded balance allows one to absorb the tone-colours of America’s best brass and all the... —
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Coming soon. Verdi: Requiem
Asmik Grigorian (soprano), Deniz Uzun (mezzo-soprano), Joshua Guerrero (tenor), Tareq Nazmi (bass), Cleveland Orchestra, The Cleveland Orchestra Chorus, Franz Welser-Möst
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Schubert: Mass No. 6 in E-Flat Major
Cleveland Orchestra Chorus, Joélle Harvey, Julian Prégardien (tenor), Daryl Freedman, Martin Mitterrutzner, Dashon Burton, Cleveland Orchestra, Franz Welser-Möst
It’s clearly a work that’s close to Welser-Möst’s heart and he shapes and paces this live performance (shorn of applause) with sensitivity and evident affection. —
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Mozart: Piano Concerto No. 27 & Symphony No. 29
Garrick Ohlssohn, Cleveland Orchestra, Franz Welser-Möst
Ohlsson cultivates a lovely singing, transparent sound which lacks only a rhythmic lift, especially in the skipping finale, which here emerges as wistfully restrained compared with, say, the... —
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