ECM
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Ambrose Field & John Potter - Being Dufay
Music based on vocal fragments by Guillaume Dufay
John Potter (tenor) & Ambrose Field (composer, live and studio electronics)
Potter's singing here is exemplary, and I can think of few singers so suited to such music. Occasionally, washes of electronic sound engulf the soloist, providing compelling dramatic climaxes…... —
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Holliger: Lieder ohne Worte I & II, Sequenzen & other works
Thomas Zehetmair, Thomas Larcher, Ursula Holliger
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Jörg Widmann: Elegie
Jörg Widmann (clarinet) & Heinz Holliger (piano), Jörg Widmann (clarinet)
Deutsche Radio Philharmonie, Christoph Poppen
These concentrated miniatures of almost Webern-like brevity showcase Widmann's virtuosity as well as his comprehensive understanding of his instrument's capabilities. These qualities are projected... —
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Ars Moriendi
Paul Giger (violin), Pudi Lehmann (percussion), Marie-Louise Dähler (harpsichord, positive organ), Carmina Quartet (string quartet), Carmina Quartett (string quartet), Jürg Surber (double bass), Franz Vitzthum (countertenor)
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Thomas Larcher: Madhares
Till Fellner (piano), Kim Kashkashian (viola)
Munich Chamber Orchestra, Quatuor Diotima, Dennis Russell Davies
He has a fabulous ear for unusual sonorities, which he fashions into surprisingly logical narratives...Böse Zellen, in particular, is a truly original work, vigorously performed and captured... —
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his own playing at times has something of the velvety fastidiousness of Víkingur Ólafsson…If, occasionally, the results are a little overwrought (‘Liebster Jesu wir sind hier’ BWV 633 is rather... —
