Deux-Elles
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The art of melodrama in its original sense, as a spoken text accompanied by music, is alive and well...[Actaeon] is a brilliant concert-hall entertainment with an ideal role for Eleanor Bron. —
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The world’s ‘first concerto for theorbo’ is unashamedly clever…you experience a sensory whirlwind in which the theorbo is catapulted into the present, reinventing itself with a range of extended... —
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[Roscoe favours] clear textures, astute voice-leading, balance and symmetry, discreet use of the pedal and a kind of Classical reserve that contrast with more combative, confrontational interpretations…listeners... —
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Yang has impeccable attention to detail, bravely observing the fff (and ppp) indications. This is intimate salon music painted with broad brush strokes. —
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Roscoe sails through [Op. 101] technical challenges with nonchalant ease. Its musical ones too. Pellucid pianism casts the opening movement as a lambent prelude to the crisply-etched March that... —
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Martin Roscoe gives a fine account of the Waldstein, capturing all the music's flamboyance. and meticulously conveying Beethoven's controversial pedal-markings in the concluding rondo. His affectionate... —
