CPO
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Special offer. Cimarosa: Il Matrimonio Segreto
Renate Girolami, Donato Di Stefano, Loriana Castellano, Klara Ek, Giulia Semenzato, Jesús Álvarez, Orchester der Academia Montis Regalis, Alessandro De Marchi
This spirited performance captures the playfulness and affectionate tone of Cimarosa’s comedy. —
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Special offer. Graupner: Antiochus und Stratonica
Christian Immler (Antiochus), Hana Blazikova (Stratonica), Harry van der Kamp (Seleucus), Sunhae Im (Mirtenia), Sherezade Panthaki (Ellenia), Aaron Sheehan (Demetrius), Jesse Blumberg (Hesychius/Ober-Priester), Jan Kobow (Negrodorus), Karlina Hogrefe (Flavia), Kim Kavanagh (Medor), Capella Ansgarii,...
Even by the BEMF’s own high standards, this is nothing short of revelatory both in terms of its superb musicianship and its advocacy of hitherto neglected yet enormously enjoyable repertoire. —
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Vivaldi: Arsilda Regina di Ponto
Simonetta Cavalli, Lucia Sciannimanico, Elena Cecchi Fedi, Nicky Kennedy, Joseph Cornwell, Sergio Foresti, Alessandra Rossi
Modo Antiquo & Coro da Camera Italiano, Federico Maria Sardelli
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Holzbauer: Gunther von Schwarzburg
Christoph Pregardien (tenor), Claron McFadden (soprano), Clarry Bartha (soprano), Michael Schopper (bass), Robert Worle (tenor)
La Stagione (on period instruments)
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Kienzl: Don Quixote Op. 50
Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kristen Blanck & Gabriele Schreckenbach
Rundfunkchor Berlin & Rundfunk-SinfonieorchesterBerlin, Gustav Kuhn
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Henry Desmarest: Circé
Lucile Richardot (mezzo-soprano), Aaron Sheehan, Teresa Wakim, Jesse Blumberg, Amanda Forsythe, Douglas Williams, Boston Early Music Festival Orchestra & Chorus, Paul O’Dette (musical Director), Stephen Stubbs (musical Director), Robert Mealy
The Bostonians’ insightful musicianship and adroit theatricality enrich our understanding of French opera in the decades between Lully and Rameau. —
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Special offer. Heinichen: Flavio Crispo
Leandro Marziotte (Flavio Crispo), Dana Marbach (Elena), Alessandra Visentin (Fausta), Silke Gang (Imilee), Nina Bernsteiner (Gilmero), Tobias Hunger (Massiminiano), Ismael Arroniz (Costanttino)
Il Gusto Barocco, Jorg Halubek
Halubek’s shaping of attractive arias is spot-on…Notwithstanding Alessandra Visentin’s feisty singing, the crucial role of Fausta is diminished by heavy cuts…Heinichen’s opera emerges from its... —
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