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Special offer. Heinichen: Flavio Crispo

Leandro Marziotte (Flavio Crispo), Dana Marbach (Elena), Alessandra Visentin (Fausta), Silke Gang (Imilee), Nina Bernsteiner (Gilmero), Tobias Hunger (Massiminiano), Ismael Arroniz (Costanttino)

Il Gusto Barocco, Jorg Halubek

Heinichen: Flavio Crispo
Halubek’s shaping of attractive arias is spot-on…Notwithstanding Alessandra Visentin’s feisty singing, the crucial role of Fausta is diminished by heavy cuts…Heinichen’s opera emerges from its...

Special offer. Heinichen: Flavio Crispo

Leandro Marziotte (Flavio Crispo), Dana Marbach (Elena), Alessandra Visentin (Fausta), Silke Gang (Imilee), Nina Bernsteiner (Gilmero), Tobias Hunger (Massiminiano), Ismael Arroniz (Costanttino)

Il Gusto Barocco, Jorg Halubek

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3 CDs

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This release includes a digital booklet

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Halubek’s shaping of attractive arias is spot-on…Notwithstanding Alessandra Visentin’s feisty singing, the crucial role of Fausta is diminished by heavy cuts…Heinichen’s opera emerges from its...

About

Following the premiere of Brescianello’s Tisbe, Johann David Heinichen’s Flavio Crispo is now the second discovery of a never-performed Baroque opera in an interpretation by Il Gusto Barocco. This Italian opera by Heinichen, one of the most valuable documents of its times in matters of compositional history, had been forgotten for some three hundred years until the ensemble premiered it in 2016. The historical circumstances behind this opera are very special: a quarrel involving the two world-famous castrati Senesino and Berselli caused a scandal that prevented the premiere of Heinichen’s opera at the Dresden court. Some anecdotes relate that the singers accused the composer of imperfect knowledge of Italian and tore the score to shreds during the rehearsal process while he looked on. Others state that Handel had wooed away the Dresden singers during a journey from Italy to London. The score is a masterpiece.

Contents and tracklist

Act I: Sinfonia. Allegro (I)
Track length1:55
Act I: Sinfonia. Amabile e sempre piano
Track length1:17
Act I: Sinfonia. Allegro (II)
Track length1:30
Act I: Nè potrà il tuo favor
Track length1:06
Act I: Non contrasti il fato ingrato
Track length4:05
Act I: Tanta fierezza ove già tanto amore?
Track length0:12
Act I: Non tutta renda si l'alma al rigore
Track length3:50
Act I: Una fama miglior cercai trà l'armi
Track length0:41
Act I: Il trionfo del mio sdegnio
Track length1:32
Act I: Strisciò su queste luci d'Elena mia
Track length0:50
Act I: Il dolce mio servaggio
Track length3:18
Act I: Signor, in questo dì veggo adempisse
Track length2:24
Act I: Basta à me luci adorate
Track length4:36
Act I: Ohimè! Più che sincero
Track length1:12
Act I: Chi chiedesse all'augelletto
Track length5:00
Act I: Allor che a Costantino
Track length3:45
Act I: Ohimè! Non credere, ch'io possa
Track length5:16
Act I: S'appresti il trono onde sovrano
Track length2:20
Act I: Se tal sull'alme regni
Track length4:53
Act I: Sciolto dalle catene già lungo stuol
Track length0:31
Act I: Ballo
Track length3:08
Act I: Questo, onde Roma il mio venir onora
Track length1:13
Act I: Cesare, il novo grado
Track length3:11
Act I: Bella pace, in più placide cure
Track length5:33
Act I: Che pensi far?
Track length1:57
Act I: Che mia man porti la fede
Track length2:42
Act I: Ben qualche speme
Track length1:13
Act I: Se adorno di speme
Track length4:53
Act II: Sinfonia. Allegro (I)
Track length2:01
Act II: Sinfonia. Larghetto
Track length0:39
Act II: Sinfonia. Allegro (II)
Track length1:30
Act II: Io, che so qual ver lui nutri odio in seno
Track length1:51
Act II: Quel nodo, ond'ei paventa
Track length3:59
Act II: Contaminata assai s'è l'innocenza mia
Track length0:24
Act II: Non la madre, non l'amante
Track length2:13
Act II: Teneri sensi qui detto lontananza
Track length0:30
Act II: Con questa speme farò
Track length4:00
Act II: Vincitor delle Gallie
Track length1:38
Act II: All'empio il primo fulmine
Track length3:34
Act II: Di felice messaggio apportator
Track length2:33
Act II: Non perché veda di strano aspetto
Track length5:15
Act II: Gioverà forse il far accorta Imilee
Track length1:15
Act II: Sdegno tu cerca ov'io
Track length2:57
Act II: Cosa, che per commando
Track length2:00
Act II: Perdonate sembianze leggiadre
Track length4:44
Act II: Che più resta fellon pronuncia il nome
Track length1:16
Act II: Mio destino è aver in petto
Track length3:49
Act II: Dì dal trifono à morte?
Track length1:06
Act II: Arde fiera in ciel' cometa
Track length3:30
Act II: E di qualche sciagura
Track length1:16
Act II: In veder l'altrui piacer
Track length5:46
Act III: Dunque morir degg'io?
Track length3:18
Act III: Vieni, ò tosco, e scendi al cor
Track length4:37
Act III: Ceda a tema vergogna
Track length4:16
Act III: Questo sguardo
Track length6:27
Act III: Gridar, piange, spirar, qual farò prima?
Track length3:38
Act III: Vuoi di più, beltà sdegnata?
Track length3:13
Act III: Sì, a Costantino andiam
Track length1:17
Act III: Face sarà di furia
Track length2:42
Act III: Dunque gli occhi dell' alma immagin
Track length0:31
Act III: Crude porte diserratevi
Track length4:11
Act III: Questa nube, che sorge non permettan
Track length1:30
Act III: Se chiama al soglio
Track length2:48
Act III: Servi, il bagno chiudete
Track length1:25
Act III: Vostre imagini noi non siamo
Track length5:03
Act III: Signor, sua la tua fronte
Track length1:08
Act III: Non tardar, impugna il folgore
Track length2:59
Act III: Schiavi, l'iniqua ove più ferve il bagno
Track length0:21
Act III: Già dal profondo
Track length1:42
Act III: Prima la morte v'accorrò
Track length1:12
Act III: Io vorrei saper d'amore
Track length4:49
Act III: T'intendo, o ciel
Track length1:59
Act III: Fantasma, che sorgesti dall' abisso
Track length3:13
Act III: Di procelle, e d'ombra a scorno
Track length2:23

Awards and reviews

May 2019

Halubek’s shaping of attractive arias is spot-on…Notwithstanding Alessandra Visentin’s feisty singing, the crucial role of Fausta is diminished by heavy cuts…Heinichen’s opera emerges from its long neglect into an appreciative light, but the integrity of its text

July 2019

Marziotte is a fine Flavio, displaying a full tone, secure voice production and well-articulated passaggi, though his diction is poor…The best singing comes from the Imilee of the mezzo Silke Gäng, whose lovely tone, intelligent approach and accomplished way with ornaments and divisions bring near-unalloyed pleasure.
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