CPO
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Special offer. Weinberger, J: Wallenstein (musical tragedy in 6 scenes)
Roman Trekel (Wallenstein), Martina Welschenbach (Thekla), Ralf Lukas (Octavio Piccolomini), Daniel Kirch (Max Piccolomini), Dagmar Schellenberger (Countess Terzky) & Roman Sadnik (Count Terzky)
Wiener Singakademie & ORF Radio-Symphonieorchester Wien
It may be all over the shop stylistically, sounding like everything from Smetana to Wozzeck by way of Viennese operetta and Mahler. But it is never dull. The instrumentation is inventive, the... —
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Easter Cantatas from Halle
Gudrun Sidonie Otto, Margaret Hunter, Christoph Dittmar, Mirko Ludwig & Guillaume Olry
Cantus Thuringia & Capella Thuringia, Bernhard Klapprott
It seems to me that their authenticity is unlikely but it is entirely understandable that the enterprising Thuringian performers have devoted efforts to reviving what might possibly be among... —
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D. Scarlatti: La Dirindina
Makoto Sakurada (tenor), Marina Bartoli (soprano), Giulio Mastrototaro (baritone)
L’Arte dell’Arco (on period instruments), Federico Guglielmo
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Telemann: Quatuors Parisiens Volumes 2 & 3
John Holloway (violin), Linde Brunmayr (transverse flute), Lorenz Duftschmid (viola da gamba), Ulrike Becker (violoncello) & Lars-Ulrik Mortensen (harpsichord)
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Brescianello: Tisbe
Jörg Halubek (harpsichord), Nina Bernsteiner (soprano), Flavio Ferri-Benedetti (alto), Julius Pfeifer (tenor), Matteo Bellotto (bass)
il Gusto Barocco
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The music is idyllically conservative: essentially nineteenth century romantic but with lightened transparent textures...Also common to these scores is a grace - something close to kindliness...All... —
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Rozsa: Sinfonia Concertante for Violin, Cello & Orchestra, Op. 29, etc.
András Agoston (violin), László Fenjo (cello)
Philharmonia Hungarica, Werner Andreas Albert
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Mirabile Mysterium
Choral Music for Christmas
Katharina Rosenkranz, Elisabeth Mücksch, Patricia Hoffmann, Daniel Oehme, Michael Schwämmlein, Gustav Augart, Philipp Polhardt, Viola Michalski, Sächsisches Vocalensemble, Matthias Jung
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