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Easter Cantatas from Halle

Gudrun Sidonie Otto, Margaret Hunter, Christoph Dittmar, Mirko Ludwig & Guillaume Olry

Cantus Thuringia & Capella Thuringia, Bernhard Klapprott

Easter Cantatas from Halle
It seems to me that their authenticity is unlikely but it is entirely understandable that the enterprising Thuringian performers have devoted efforts to reviving what might possibly be among...

Easter Cantatas from Halle

Gudrun Sidonie Otto, Margaret Hunter, Christoph Dittmar, Mirko Ludwig & Guillaume Olry

Cantus Thuringia & Capella Thuringia, Bernhard Klapprott

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
It seems to me that their authenticity is unlikely but it is entirely understandable that the enterprising Thuringian performers have devoted efforts to reviving what might possibly be among...

About

Zachow was active over a period of twenty-eight years and numbered among the most renowned church musicians of his epoch (J. S. Bach applied to succeed him in 1712). Just how much George Frideric Handel valued his teacher and his music is shown by his continual citing of compositions by Zachow in his own work even during his years in London.

The authorship of the two cantatas presented on this release – often ascribed to Handel – remains uncertain and has been discussed many times in musicology. One thing remains clear: both works are from Zachow’s musical circle of influence around 1700. Even if the cantatas turn out not to be by Handel, he no doubt would have known them and heard them. In this respect, this CD makes a significant contribution to our understanding of the young Handel’s Halle environment.

Contents and tracklist

Chorus. Ich bin die Auferstehung und das Leben
Track length3:45
Aria. Gott lob, mein Jesus lebt (Tenor)
Track length3:23
Aria. Gott lob, nun leb' auch ich (Alto)
Track length1:55
Chorus. Und wer da lebet und glaubet an mich
Track length0:45
Aria. Gott lob, es hat nicht Not (Soprano 1)
Track length2:20
Aria. Mein Glaube ist mein Schild (Bass)
Track length3:13
Chorus. Weil du vom Tod erstanden bist
Track length1:34
Sonata
Track length0:51
Chorus. Bei Gott ist mein Heil
Track length2:09
Aria. Meine Hoffnung steht auf Gott (Alto)
Track length2:18
Aria. Meine Hoffnung steht auf Gott (Soprano 2)
Track length0:39
Aria. Meine Hoffnung steht auf Gott (Bass)
Track length2:13
Aria. Meine Hoffnung steht auf Gott (Tenor)
Track length0:40
Chorus. Wer hofft auf Gott
Track length1:50
Verse 1: Ach Herr, mich armen Sunder (Soprano 1)
Track length3:34
Verse 2: Heil du mich lieber Herre (Soprano, Alto, Tenor, Bass)
Track length2:28
Verse 3: Herr, trost mir mein Gemute (Tenor)
Track length3:50
Verse 4: Ich bin vom Seufzen mude (Soprano 1, Alto)
Track length3:24
Verse 5: Weicht, weicht, ihr Ubeltater (Tenor, Bass)
Track length5:28
Verse 6: Ehr sei in's Himmel Throne (Soprano, Alto, Tenor, Bass)
Track length3:26
Chorus. Triumph, ihr Christen seid erfreut
Track length1:35
Aria. Weiber spart nur euren Mut (Tenor)
Track length1:33
Chorus. Heut triumphieret Gottes Sohn
Track length1:03
Aria. Wer walzet uns den grossen Stein (Soprano 1, Soprano 2 and Alto)
Track length1:15
Recitativo. Erschreckt nur nicht (Soprano 1)
Track length0:35
Aria. Wollt ihr Jesum aber sehen (Soprano 1)
Track length1:44
Aria. Wir eilen und laufen den Heiland zu schauen (Soprano 1, Soprano 2 and Alto)
Track length1:23
Recitativo. Getrost, ich bin bei euch (Bass)
Track length0:46
Aria. Sunde, Teufel und der Tod (Bass)
Track length1:15
Chorus. Triumph, ihr Christen seid erfreu
Track length1:44

Awards and reviews

July 2012

It seems to me that their authenticity is unlikely but it is entirely understandable that the enterprising Thuringian performers have devoted efforts to reviving what might possibly be among the very few scraps of Handel's earliest attempts at composition...the ensemble of solo voices communicates the pious texts sincerely...A rewarding curiosity.
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