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Meraviglia d'amore
Love Songs from 17th-century Italy
Marco Beasley (tenor) & Pierre Pitzl (baroque guitar, viola da gamba & direction), Marco Beasley (tenor)
Private Musicke
a real gondolier’s gem, catchy as a cold in shapely phrases, balanced symmetry and simple, intriguing harmony. Beasley’s light tenor has a plaintive, seductive quality, irresistible to the ear... —
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Cifras Selectas de Guitarra
Guitar Music by Santiago de Murcia
Pierre Pitzl (guitar/direction)
Private Musicke
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Buxtehude: Sonatas with Cornett
William Dongois (cornett), Stefan Legée (sackbut) & Pierre-Alain Clerc (organ)
Le Concert Brisé
translated with marvellous effect … delivered with astonishing flexibility by the players, with the result being entirely convincing. It is hard now to imagine them having anything like the... —
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[Nolte] does not employ the soft pedal much but is quite fluent in the runs, some of which are horrendously difficult, and for tackling them he deserves praise...the instrumental pieces are... —
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Bach, J S: St John Passion, BWV245
Sabine Goetz (Ancilla), Amaryllis Dieltiens (soprano), Elisabeth Popien, Alexander Schneider (alto), Hans Jorg Mammel (Evangelist), Georg Poplutz (Servus - tenor), Wolf Matthias Friedrich (Petrus, Pilatus), Markus Flaig (Jesus)
Cantus Cölln, Konrad Junghänel
Junghanel sympathetically directs Bach's latest version of his St John Passion. The Evangelist and other soloists are drawn from the eight-voice ensemble. —
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Handel Complete sonatas for wind instruments
Barthold Kuijken (transverse flute), Robert Kohnen (harpsichord) & Wieland Kuijken (viola da gamba), Peter Van Heyghen (recorder) & Kris Verhelst (harpsichord), Marcel Ponseele (oboe), Ewald Demeyere (harpsichord) & Richte Van Der Meer (violoncello)
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