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Mozart: Requiem in D minor, K626
Ingrid Schmithusen (soprano), Catherine Patriasz (alto), Neil Mackie (tenor) & Matthias Holle (bass)
La Petite Bande & Nederlands Kamerkoor, Sigiswald Kuijken
Worth exploring for its fresh musical insights and as a strong alternative to the Requiem’s familiar Süssmeyer version. —
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Molique: Violin Concertos Nos. 3 & 6
Anton Steck (violin)
Baroque Orchestra L'arpa Festante, Christoph Spering
Steck has both the technique and the stylistic acumen for the music. He doesn’t make too large a sound, his tone quality remaining small but focused. He displays a consistently historically-informed... —
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Gregor Joseph Werner: Der Gute Hirt Oratorio (1739)
Ágnes Kovács (soprano), Péter Bárány (counter-tenor), Lóránt Najbauer (bass), Adriána Kalafszky (soprano), Zoltán Megyesi (tenor), Purcell Choir, Orfeo Orchestra, György Vashegyi
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Bach - Cantatas for the Liturgical Year Volume 11
Gerlinde Sämann (soprano), Petra Noskaiová (alto), Christoph Genz (tenor) & Jan Van der Crabben (bass)
La Petite Bande, Sigiswald Kuijken
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Pocket Mozart - Transcriptions For Violin Duo
Florian Deuter (violin), Monica Waisman (violin), Harmonie Universelle
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Missa 1724
Aldona Bartnik (soprano), Kamila Mazalová (alto), Václav Cizek (tenor), Tomáš Šelc (bass), Lucía Caihuela (soprano), Jeanne Mendoche (soprano), Aneta Petrasová (alto), Benjamin Glaubitz (tenor), Collegium 1704, Collegium Vocale 1704, Vaclav Luks
Zelenka was a direct contemporary of Bach - and there are flashes of harmonic and textural brilliance here to rival the German genius. Lively, light-footed performances —
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Bach's Oboe
Xenia Löffler (oboe), Flóra Fábri, Vittorio Ghielmi (viola da gamba), Katharina Litschig, Daniel Deuter, Györgyi Farkas, Christian Beuse, Michael Bosch, Julia Scheerer
The arrangements are well done and the playing of all those involved is top class. This disc is a delight from start to finish. —
