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Missa 1724

Aldona Bartnik (soprano), Kamila Mazalová (alto), Václav Cizek (tenor), Tomáš Šelc (bass), Lucía Caihuela (soprano), Jeanne Mendoche (soprano), Aneta Petrasová (alto), Benjamin Glaubitz (tenor), Collegium 1704, Collegium Vocale 1704, Vaclav Luks

Missa 1724
Zelenka was a direct contemporary of Bach - and there are flashes of harmonic and textural brilliance here to rival the German genius. Lively, light-footed performances

Missa 1724

Aldona Bartnik (soprano), Kamila Mazalová (alto), Václav Cizek (tenor), Tomáš Šelc (bass), Lucía Caihuela (soprano), Jeanne Mendoche (soprano), Aneta Petrasová (alto), Benjamin Glaubitz (tenor), Collegium 1704, Collegium Vocale 1704, Vaclav Luks

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This release includes a digital booklet

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Zelenka was a direct contemporary of Bach - and there are flashes of harmonic and textural brilliance here to rival the German genius. Lively, light-footed performances

About

Jan Dismas Zelenka, the greatest genius of Czech Baroque music, was rediscovered only in the last 20 years and has since then experienced a great renaissance. Zelenka was employed as a musician at the Dresden court under August the Strong and later his son Frederick August II, where he wrote splendid church music works for his Catholic regent. The Prague Collegium 1704 has been promoting Zelenka's magnificent music for many years and has already produced four highly acclaimed CDs with music by this outstanding composer. The new CD is dedicated to several magnificent settings of individual mass parts from the years 1724-25. These pieces are characterised by a similar (large) instrumentation with oboes, bassoon and three trombones, which colourfully complement the strings. Vclav Luks has combined these individual movements into a "Missa 1724" and, with the soloists, the choir and orchestra of his Collegium 1704, he lets this wonderful music resound again for the first time in an accustomed excellent interpretation.

Contents and tracklist

Ia. Kyrie eleison I
Track length0:43
Ib. Christe eleison
Track length2:24
Ic. Kyrie eleison II
Track length2:49
I. Gloria
Track length5:32
II. Laudamus te
Track length3:47
III. Gratias agimus tibi
Track length4:41
IV. Qui tollis
Track length2:46
V. Qui sedes
Track length1:18
VI. Quoniam tu solus Sanctus
Track length2:25
VII. Cum Sancto Spiritu
Track length3:55
I. Credo
Track length2:02
II. Et incarnatus est
Track length1:19
III. Crucifixus
Track length1:23
IV. Et resurrexit
Track length2:54
IIa. Sanctus
Track length1:57
IIb. Osanna
Track length1:44
IIc. Benedictus
Track length1:24
IIIa. Agnus Dei
Track length1:01
IIIb. Dona nobis pacem
Track length2:37

Awards and reviews

July 2020

Zelenka was a direct contemporary of Bach - and there are flashes of harmonic and textural brilliance here to rival the German genius. Lively, light-footed performances

July 2020

Collegium Vocale 1704’s arching phrases ebb and flow, with eloquent leaning upon Zelenka’s rich harmonic suspensions and a cultivated blend between all strands of textures. The excellent orchestra pay keen attention to sonorities and rhetorical vitality.
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