BR Klassik
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Mariss Jansons: His Last Concert
Live at Carnegie Hall
Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
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From the hefty trumpet solo this is assured, top-notch playing with some cheeky woodwind solos and ideal central-European violins. But it all moves rather stiffly and deliberately…On the other... —
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Great Singers Live: Elisabeth Grümmer
Elisabeth Grümmer (soprano), Hans Altmann (piano) & Walter Kmentt (tenor)
Münchner Rundfunkorchester, Kurt Eichhorn, Horst Stein
The recordings are taken from the archives of Bavarian Radio, dating from between 1956 and 1962. Grümmer was now well into her forties, but her voice was still radiant, fresh and technically... —
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Mariss Jansons conducts Beethoven Symphonies Nos. 1 & 2
Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
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Otto Klemperer Conducts: Haydn and Brahms
Symphonieorchester des Bayerischen Rundfunks, Otto Klemperer
Insightful performances from a master musician at the height of his considerable powers. —
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Jansons conducts Strauss
Single release of the 60th anniversary-box
Anja Harteros (soprano) & Andreas Röhn (violin solo)
Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
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Lauridsen: Lux Aeterna
Chor des Bayerischen Rundfunks, Munich Radio Orchestra, Joseph R. Olefirowicz
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Mariss Jansons conducts Dvorak: Stabat Mater
Erin Wall (soprano), Mihoko Fujimara (mezzo-soprano), Christian Elsner (tenor) & Liang Li (bass)
Chor and Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
Under Jansons, the Bavarian Radio Chorus are in fine voice, crisp of enunciation and excellently balanced against the large orchestra [and] are joined by a distinguished solo quartet…this live... —
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Expertly directed by Mariss Jansons, the Symphonieorchester des Bayerischen Rundfunks plays with total commitment, providing a highly charged performance of real character yet remaining splendidly... —
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Schumann: Symphony No. 1 & Schubert: Symphony No. 3
Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
Jansons offers ‘big band’ Schumann, in a performance of the Spring that demonstrates that a long-established symphony orchestra can take on the new boys and girls…Jansons’s sap is clearly rising…There’s... —
