Avie
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Zalkind’s unusual 1760 Piatellini cello has a lovely, contained golden tone, full of high resonances, which favours his bright, unselfconscious presentation of JS Bach’s Sixth Suite. —
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Christopher Tyler Nickel: Sonatas and Chamber Music For Oboe & Oboe d'Amore
Mary Lynch VanderKolk, Paige Roberts Molloy, Eduardo Rios, Andy Liang, Olivia Chew, Efe Baltacigil
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This is impressive. A largely contemporary, contemplative and of ten complex programme is performed with exceptional poise by the girls’ choir and harpist Cheryl Ann Fulton. Sung ji Hong’s mesmeric... —
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Paradise Found: Music For Cello and Piano By Bruce Wolosoff
Sara Sant'Ambrogio, Bruce Wolosoff (piano)
The performances are all excellent. Sara Sant’Ambrogio plays with warm tone and a natural feeling for Wolosoff’s lyric style. —
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Bach: Harpsichord Concertos (25th Anniversary Edition)
Michael Lynn, Cynthia Roberts, Apollo's Fire, Jeannette Sorrell
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A varied and sensitively planned programme...Valešová commands a full, rounded tone but passes on facile virtuosity in favour of something mellower. —
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Perkins uses a 1764 Kirckman harpsichord from the Royal Academy of Music, and while it can have a muscly tone, his skilful command of texture (along with Nares's) ensures that it never tires... —
