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Ingenious Jestings

The Complete Harpsichord Suites by James Nares

Julian Perkins (harpsichord)

Ingenious Jestings
Perkins uses a 1764 Kirckman harpsichord from the Royal Academy of Music, and while it can have a muscly tone, his skilful command of texture (along with Nares's) ensures that it never tires...

Ingenious Jestings

The Complete Harpsichord Suites by James Nares

Julian Perkins (harpsichord)

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Perkins uses a 1764 Kirckman harpsichord from the Royal Academy of Music, and while it can have a muscly tone, his skilful command of texture (along with Nares's) ensures that it never tires...

About

From performances at the Handel Halle Festival to a solo at the Paris Fashion Show for Alexander McQueen, Julian Perkins pursues a diverse and demanding career. Primarily a Baroque and early Classical music specialist, he performs with leading singers, ensembles and opera companies in the UK and abroad.

Here he offers the first complete recording of James Nares’s eight brilliant harpsichord setts (suites) from 1747. Organist of the Chapel Royal, James Nares epitomized the late English Baroque style, one which takes after the keyboard sonatas of Domenico Scarlatti and Thomas Arne.

Thanks to the generosity of The Royal Collection, much of this music was recorded using the Queen’s rare and newly-restored Shudi harpsichord at Kew Palace. Built in 1740, this harpsichord is one of Shudi’s earliest and most lavish instruments. It is perhaps the only harpsichord whose quills are taken from the ravens of the Tower of London. Julian Perkins also plays on an original Kirckman harpsichord, generously loaned to the Royal Academy of Music by the Beare family.

Contents and tracklist

No. 1 in G Major, I. Prelude
Track length1:45
No. 1 in G Major, II. Allemand
Track length2:17
No. 1 in G Major, III. Minuet and Three Variations
Track length4:11
No. 2 in D Major, I. Allegro
Track length2:22
No. 2 in D Major, II. Larghetto
Track length1:32
No. 2 in D Major, III. Allegro
Track length1:15
No. 2 in D Major, IV. Jigg
Track length2:15
No. 3 in B-Flat Major, I. Fuga
Track length2:15
No. 3 in B-Flat Major, II. Largo
Track length1:25
No. 3 in B-Flat Major, III. Presto
Track length4:29
No. 3 in B-Flat Major, IV. Gavot
Track length1:17
No. 4 in F Major, I. Allegro
Track length3:45
No. 4 in F Major, II. Andante
Track length2:37
No. 4 in F Major, III. Jigg
Track length2:07
I. Allemande
Track length2:38
II. Courante
Track length1:55
III. Sarabande
Track length3:03
IV. Gigue
Track length1:22
No. 5 in A Major, I. Allegro
Track length2:58
No. 5 in A Major, II. Larghetto
Track length2:35
No. 5 in A Major, III. Allegro Spiritos
Track length2:21
No. 6 in E Major, I. Allemand
Track length4:15
No. 6 in E Major, II. Courant
Track length1:26
No. 6 in E Major, III. Gavot
Track length1:39
No. 7 in G Major, I. Presto
Track length1:54
No. 7 in G Major, II. Fuga
Track length3:02
No. 7 in G Major, III. Jigg
Track length1:59
No. 8 in A Major, I. Allegro
Track length4:00
No. 8 in A Major, II. Allemand
Track length3:15
No. 8 in A Major, III. Gig
Track length4:02

Awards and reviews

August 2008

Perkins uses a 1764 Kirckman harpsichord from the Royal Academy of Music, and while it can have a muscly tone, his skilful command of texture (along with Nares's) ensures that it never tires the ear, while his sound stylistic sense makes the best of the music's robust eloquence.
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