Avie
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[These accounts] afford helpful alternative insights into these works, and the Cypress plays with commendable skill and verve…their playing is always fastidiously attentive to every detail of... —
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Sibelius & Adès: Violin Concertos
Augustin Hadelich (violin)
Royal Liverpool Philharmonic Orchestra, Hannu Lintu
this is a disc which grows in stature on each hearing. —
Awards:
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Gramophone Awards, 2014, Finalist - Concerto
Purchase product
CD
$17.75 -
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As might be expected, since they were involved at the genesis, Quartet ES provide impeccable performances of each work, beautifully balanced, rhythmically acute, their understanding of Ruehr's... —
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Veni Redemptor Gentium
Christopher Preston Thompson (tenor), Michelle Kennedy (soprano), Catherine Hedberg (mezzo-soprano), Nickolas Karageorgiou (countertenor), Thomas McCargar (baritone), Amber Evans (soprano), Daphna Mor, Niccolo Seligmann, Concordian Dawn
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Naturally in jumping from string quartet to orchestra courtesy of George Szell that intimacy is exchanged for a more expansive outpouring, which The Orchestra Now handle with aplomb. —
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Although Briggs can occasionally sound over-deliberate, she has a special secret weapon at her disposal, and it is arguably clearest in the Robert Schumann Arabeske and Brahms's Op. 119 Klavierstücke:... —
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Blue Mantra
Bruce Wolosoff (piano), Narek Arutyunian (clarinet), Michelle Ross (violin), Deborah Buck (violin) Clarice Jensen (cello)
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Daniel Schnyder: Cello Concerto. Concerto Populaire
Christoph Croisé (cello), Ruven Ruppik (percussion), Daniel Schnyder (saxophone), Beyond Modern Orchestra, Alexander Panfilov (piano), Peter Gorobets (harpsichord), Swiss Cello Octet
There is a piquant, punchy edge to Schnyder's style - a compelling contemporary mix which is not dissimilar to the music of Jean Françaix. —
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unassailable technical mastery and absolute temperamental harmonisation. Some sort of standard is offered by Perlman and Ashkenazy; Almond and Wolfram are not out of place in such company. —
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Haefliger's innate affinity for Beethoven's largely lyrical Op 28 Sonata manifests itself via the pianist's relaxed tempi and ample tone. —
