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Perspectives 3

Andreas Haefliger (piano)

Perspectives 3
Haefliger's innate affinity for Beethoven's largely lyrical Op 28 Sonata manifests itself via the pianist's relaxed tempi and ample tone.

Perspectives 3

Andreas Haefliger (piano)

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2 CDs

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Haefliger's innate affinity for Beethoven's largely lyrical Op 28 Sonata manifests itself via the pianist's relaxed tempi and ample tone.

About

Of his Perspectives series of recordings for AVIE, Andreas Haefliger says, “In creative programming, I have always seen an opportunity for illuminating the individuality of works by placing them in tonal, dramatic and historic relief. Thus, through the sequence of a recital program, repertoire that has long been familiar to us is put into a new perspective. This series is a document of my concert activity and aims at bringing the recital experience to the living room.”

This recital offers the perspective of a great Schubert Sonata that despite its originality also shows its indebtedness to Beethoven. The two popular Beethoven Sonatas have features that resonated deeply with Schubert, who adored the older composer and persistently used his works as models.

Previous releases in this series Perspectives 1 (AV 0041) which contrasts Mozart, Beethoven and Schubert with Thomas Adès, and Perspectives 2 (AV 2082) which juxtaposes Beethoven, Brahms and Bartók.

2 CDs for price of 1

Contents and tracklist

I. Allegro
Track length9:48
II. Andante
Track length7:02
III. Scherzo, Allegro vivace
Track length2:20
IV. Rondo, Allegro ma non troppo, Più allegro quasi presto
Track length5:11
I. Allegro assai
Track length10:27
This track is only available as an album download.
II. Andante con moto
Track length5:57
III. Allegro ma non troppo, Presto
Track length8:17
I. Molto moderato
Track length19:57
This track is only available as an album download.
II. Andante sostenuto
Track length9:02
III. Scherzo, Allegro vivace con delicatezza, Trio, Scherzo
Track length4:08
IV. Allegro ma non troppo, Presto
Track length8:20

Awards and reviews

June 2008

Haefliger's innate affinity for Beethoven's largely lyrical Op 28 Sonata manifests itself via the pianist's relaxed tempi and ample tone.

The idea of recording for CD piano-recital programmes designed for the concert hall is a good one, provided that the programmes make musical sense and that the spontaneity of live performance can be preserved. On both counts, Haefliger succeeds
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