Eloquence
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These very early Abbado recordings are far finer than his recent work on the composer, and may be as good a coupling of these two masterpieces as you can find. —
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Special offer. Ernest Ansermet and the Ballets Russes
Marilyn Tyler (soprano), Carlo Franzini (tenor), Boris Carmeli (bass)
L’Orchestre de la Suisse Romande, Les Chœurs de la Radio Suisse Romande, Ernest Ansermet
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Haitink’s rhythmically-dynamic Beethoven Eight and an invigorating Mendelssohn Italian display the musical virtues typical of his recordings. —
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Special offer. Haydn: Symphony No. 101 & Bizet: Symphony in C
L’Orchestre de la Suisse Romande, Ernest Ansermet
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Special offer. Debussy & Dukas: Orchestral Works
L’Orchestre de la Suisse Romande, Paris Conservatoire Orchestra, Ernest Ansermet
Ansermet’s mastery of this repertoire shines throughout. Decent mono sound conveys specially fine Suisse Romande orchestral playing Jeux, and in Dukas’s marvellous ballet score La Péri. —
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Special offer. Brahms: Piano Concerto No. 1 & Overtures
Clifford Curzon (piano), Royal Concertgebouw Orchestra, Eduard van Beinum
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Special offer. Mussorgsky: Boris Godunov
Miroslav Čangalović (Boris Godunov), Sofija Janković (Feodor Borisovich), Zlata Sesardić (Xenia Borisovna), Milica Miladinović (Xenia’s Nurse), Stepan Andrashevich (Prince Vasily Ivanovich Shuisky), Dušan Popović (Andrej Shchelkalov), Branko Pivnički (Pimen), Miroslav Brajnik (Pretender), Melanija...
Čangalović has a pleasing warm tone as Boris but lacks the true bass weight of Christoff’s ‘gold-brocaded black’ (Michael Oliver’s beautiful description)…The Pimen, Branko Pivnički, is recorded... —
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Nikolai Orloff is past his best, though there are some tender moments in Chopin’s less demanding pieces. Good orchestral shaping from Anatole Fistoulari. —
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Special offer. Mendelssohn: Piano Concertos Nos. 1 & 2
Peter Katin (piano), London Symphony Orchestra, Anthony Collins
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