Help
Skip to main content

Special offer. Beethoven: Symphonies Nos. 7 & 8

Wiener Philharmoniker, Claudio Abbado

Beethoven: Symphonies Nos. 7 & 8
These very early Abbado recordings are far finer than his recent work on the composer, and may be as good a coupling of these two masterpieces as you can find.

Special offer. Beethoven: Symphonies Nos. 7 & 8

Wiener Philharmoniker, Claudio Abbado

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($10.00) Reduced price $6.75

320 kbps, MP3

$6.75

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
These very early Abbado recordings are far finer than his recent work on the composer, and may be as good a coupling of these two masterpieces as you can find.

About

In the 1960s and 70s Claudio Abbado made several recordings for Decca – orchestral works by Mendelssohn, Beethoven and Bruckner, as well as 20th-century repertoire by Hindemith, Janácek and Prokofiev. This recording is part of that legacy and there are plenty of magical touches – real swagger in the finale of the Seventh Symphony, dashing humour in the finale of the Eighth, real nobility at the opening of the Creatures of Prometheus Overture. These were the only Beethoven recordings Abbado made for Decca and they are now collected on one CD. The Seventh and the Overture receive their first international release on CD.

Contents and tracklist

1. Poco sostenuto - Vivace
Track length13:15
2. Allegretto
Track length9:53
3. Presto - Assai meno presto
Track length10:07
4. Allegro con brio
Track length9:15
1. Allegro vivace e con brio
Track length8:58
2. Allegretto scherzando
Track length4:06
3. Tempo di menuetto
Track length4:46
4. Allegro vivace
Track length7:30
Overture
Track length5:10

Awards and reviews

November 2012

These very early Abbado recordings are far finer than his recent work on the composer, and may be as good a coupling of these two masterpieces as you can find.

Abbado's fresh and alert performance of the Beethoven is very attractive in drawing attention to the music rather than to the interpreter. The tempi are all well chosen, the rhythms well sprung, such key moments as the gentle conclusion of the first movement neatly pointed
View download progress