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Stockhausen: Momente for soprano solo, four choral groups and 13 instrumentalists
Martina Arroyo (soprano), Aloys Kontarsky (Hammond organ) & Alfons Kontarsky (Lowrey organ)
Köln Radio Choir & Members of the Köln Radio SO, Karlheinz Stockhausen
Expertly remastered without being sanitized … worth acquiring. —
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Unerwartet (Unexpected)
musikFabrik: Christian Brückner (voice), Melvyn Poore (tuba), Carl Rosman (contrabass clarinet, voice, pedal bass drum), Dirk Wietheger (cello) & Josh Martin (ZKM, sound director)
Stefan Asbury, Etienne Sieben and Christian Eggens
David Lang's early work retains its charm and deceptive depth, with the text (in German here) setting up a teasing relationship between the listeners and what they are hearing, with the music... —
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Sebastian Gramss: Thinking of
Mark Dresser, John Eckhardt, Sebastian Gramss, Barry Guy, Christine Hoock, Joëlle Léandre, Dieter Manderscheid, Barre Phillips, Daniele Roccato, Tetsu Saitoh, Håkon Thelin & Stefano Scodanibbio
Gramss deploys his resources with cheerful glee, producing a genuinely celebratory piece. —
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[Shchedrin] wrote his 24 preludes and fugues after hearing Shostakovich's and they buzz with compulsive invention and never-flagging energy. These recordings date from the 1960s and 1970s when... —
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Karlheinz Stockhausen & Luciano Berio: zeit(t)räume
Claudia Böttcher (soprano) & Jovita Zähl (piano)
This is a very enjoyable disc and a testament to the fine art of programming and sequencing a recording. —
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Spaces & Spheres: Intuitive Music
Markus Stockhausen (trumpet), Tara Bouman (clarinet), Stefano Scodanibbio (double bass), Fabrizio Ottaviucci (piano) & Mark Nauseef (percussion)
The group builds graceful sonic edified, all along lines and sustained tones, in a way that seems to admit that intuition becomes something else again when subject to group interaction. —
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Hartmann - Concerto Funebre
Benjamin Schmid (violin), Elisabeth Kufferath (viola), Yorck Kronenberg (piano) & Florian Uhlig (piano)
SWR Rundfunkorchester Kaiserslautern, Paul Goodwin
The other Amadeus: a fine introduction to Hartmann the concerto composer. …Kronenberg's…technical prowess negotiating Hartmann's unidiomatic writing is highly impressive. So, too, is the adroitness... —
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Bernd Alois Zimmermann: Initiale
Songs and Early Chamber Music
Anna Prohaska (soprano), Cordelia Höfer (piano), Alessandro Cappone (violin) & Rachel Schmidt (violin)
Trio Berlin