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Unerwartet (Unexpected)

musikFabrik: Christian Brückner (voice), Melvyn Poore (tuba), Carl Rosman (contrabass clarinet, voice, pedal bass drum), Dirk Wietheger (cello) & Josh Martin (ZKM, sound director)

Stefan Asbury, Etienne Sieben and Christian Eggens

Unerwartet (Unexpected)
David Lang's early work retains its charm and deceptive depth, with the text (in German here) setting up a teasing relationship between the listeners and what they are hearing, with the music...

Unerwartet (Unexpected)

musikFabrik: Christian Brückner (voice), Melvyn Poore (tuba), Carl Rosman (contrabass clarinet, voice, pedal bass drum), Dirk Wietheger (cello) & Josh Martin (ZKM, sound director)

Stefan Asbury, Etienne Sieben and Christian Eggens

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
David Lang's early work retains its charm and deceptive depth, with the text (in German here) setting up a teasing relationship between the listeners and what they are hearing, with the music...

About

Unexpected events rupture continuity; they occur suddenly. They create a moment, a now, in which the flow of history dissolves into ‘suddenness’. The question posed by David Lang in the title of his melodrama – "Are you experienced?" – is rhetorical in nature, given that the piece takes a speculative look at the unexpected end of a concert evening. Philippe Boesmans, best known as a composer of operas, surprises us with a ‘Biedermeier’ sextet. For Richard Barrett, interference becomes a structural principle and Luca Francesconi knows the formula for driving the formulaic out of music

With this CD the edition musikFabrik is now complete on WERGO.

Contents and tracklist

I. On being hit on the head
Track length3:30
II. Dance
Track length6:06
III. On being hit on the head (Reprise)
Track length1:06
IV. On hearing the voice of god
Track length2:19
V. Drop
Track length6:17
VI. On hearing the sirens song
Track length3:27

Awards and reviews

24th February 2011

David Lang's early work retains its charm and deceptive depth, with the text (in German here) setting up a teasing relationship between the listeners and what they are hearing, with the music mediating between them.
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