Resonus Classics
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Poulenc: Aubade, Le Bal masqué, Flute Sonata & Sextet
Mark Bebbington (piano), Emer McDonough (flute), Royal Philharmonic Orchestra, Jan Latham-Koenig
All told, a delectable addition to the Poulenc discography. —
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Mozart: Sonatas for Violin & Piano, K. 301, K. 304, K. 305 & K. 454
Peter Hanson (violin), Andrew Arthur (piano)
[The] rapport between the two players shows through in a beautifully balanced sequence of Mozart sonatas...the appetite is whetted for further instalments from these players. —
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Xiaogang Ye: Chamber Music
Jiang Yang, Darragh Morgan, David Alberman, Carmen Flores, Tim Gill, Anthony Robb, Mary Dullea, Ronan Dunne, Tom Blomfield, Anna Hashimoto, Julian Warburton, George Barton, Fidelio Trio, Thomas Kemp
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The main work on this disc is American composer Gary Davison’s nine-movement Requiem, Missa pro defunctis, set to the full liturgical Latin text of the Roman rite. Throughout, Davison’s colouring... —
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Vespertina Hymnodia: Sacred Music by Claudio Dall’Albero
Choir of Sidney Sussex College, Cambridge, David Skinner
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Poldowski Re-Imagined
Jazmin Black-Grollemund (soprano), Angélique Charlopain (violin), Jérémie Decottignies (double bass), David Jackson (piano & arrangements)
Ensemble 1904
The quality of her music is such that her neglect seems positively strange. Outstanding creations among her Verlaine settings include a furious and impassioned setting of Spleen, and an unforgettable... —
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He handles the unequal rhythms and meticulous ornamentation of the French Baroque smoothly and subtly. His speciality, though, is his imaginative, if sometimes speculative, spin on Couperin’s... —
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A crisp and vivid evocation of the milieu of Venice, 1629. That was the year Heinrich Schütz went to Venice and encountered the music of Monteverdi and his acolytes. The playing is faultlessly... —
