Pan Classics
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ex Vienna Volume III: Accordato
Habsburg Violin Music from Manuscript XIV 726 of the Minoritenkonvent in Vienna
Gunar Letzbor (violin)
Ars Antiqua Austria
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Caldara: Motetti a due a tre voci Op. 4
and organ works by Sweelinck, Tunder & Weckmann
Ingeborg Dalheim (soprano), Anna Kellnhofer (soprano), Franz Vitzthum (countertenor), Alex Potter (countertenor), Jan Van Elsacker (tenor), Florian Gotz (baritone), Johannes Hammerle (organ)
United Continuo Ensemble, Thomas C Boysen
In the deft hands of the United Continuo Ensemble and six excellent vocal soloists, these motets emerge lighter and more agile than in Biondi’s vision, less overtly operatic, but dynamic miniatures... —
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Rosenmüller: Lo Zuane Tedesco
I Fedeli: Lorenza Donadini (soprano), Javier Robledano Cabrera (countertenor), Daniel Issa (tenor) & Lisandro Abadie, Ismael González Arróniz (bass)
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Cavalli: L’Ormindo
Sandrine Piau, Magali Léger, Stéphanie Révidat (sopranos), Karine Deshayes (mezzo-soprano), Martin Oro, Dominique Visse (countertenors), Howard Crook, Jean-François Lombard (tenors), Jacques Bona, Benoît Arnould (baritones)
Ensemble Les Paladins, Jérôme Correas (harpsichord & direction)
I was delighted by [Piau's] performance in the lengthy prologue...she sails through the highly ornamented writing with magnificent aplomb. The small instrumental ensemble is fluid, flexible... —
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Porpora: Passio
Music on the Passion of Christ
Stile Galante: Emanuela Galli, Francesca Cassinari (soprano), Marina De Liso (alto), Fulvio Bettini (baritone), Ludovico Takeshi Minasi (cello) & Andrea Friggi (organ & harpsichord)
Stefano Aresi (direction)
Stefano Aresi varies the duo combination from a pool of four experienced Italian singers...the jubilatory fourth duet, In hoc vexillo Crucis, features extraordinary vocal imitations of declamatory... —
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Mineccia approaches all this music with a well-placed and rounded countertenor at its best in its middle register, though capable of fine ringing tones in the upper range…Diction is good and... —
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