Onyx
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Bartók: Concerto for Orchestra & Violin Concerto No. 2
Augustin Dumay (violin)
Orchestre Symphonique de Montréal, Kent Nagano
This is a performance on the wing, as is evident in his use of rubato, and his willingness to modify dynamics to maximise projection. —
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First-rate, spry and sensitive playing makes Graffin's and Blanken's advocacy persuasive. —
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Bartók: The Miraculous Mandarin, Suite No. 2 & Hungarian Peasant Songs
BBC Scottish Symphony Orchestra, Thomas Dausgaard
Dausgaard exhorts the BBCSSO to milk the music for its intensity, conjuring a suitably claustrophobic and lurid setting...In general the transition moments are well handled and Dausgaard carries... —
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Shai Wosner plays Haydn and Ligeti
Shai Wosner (piano)
Danish National Symphony Orchestra, Nicholas Collon
[Wosner] responds to every twist and turn with a sense of great immediacy as well as an airy, high-stepped poise and unerring pointing-up of Ligeti’s deliciously unpredictable rhythms. —
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The light, textured baritone of Florian Boesch finds excellent employment in this Schubert collection, flawlessly accompanied by Malcom Martineau. —
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Prokofiev & Kabalevsky: Cello works
Leonard Elschenbroich (cello) & Alexei Grynyuk & Petr Limonov (pianos)
Netherlands Philharmonic Orchestra, Andrew Litton
Never has this often underestimated work [the Prokofiev Sonata] seemed more rich in incident and so eloquently expressive. —
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Special offer. Virgins, Vixens & Viragos: Susan Graham
Susan Graham (mezzo soprano) & Malcolm Martineau (piano)
Graham is an artist to treausre, a striking mezzo whose powerful silky voice can achieve Janet Baker-like expressiveness, with a gift for French song but also a mile-wide impish streak...Porter's... —
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[The Mendelssohn is] a wonderfully uplifting outburst of high spirits, generously and elegantly formed. Wispelwey always brings such a range of texture to his articulation and such airy luminescence... —
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Schumann & Mozart: Sophie Pacini
Sophie Pacini (piano)
Deutsche Staatsphilharmonie Rheinland-Pfalz, Radoslaw Szulc
This debut reveals a sympathetic tone and an independent spirit which particularly suit the Schumann. Tempos are well-judged, with room for Pacini to explore the work's lyrical meditations.... —
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