Onyx
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The London Connection: Beethoven. Clementi. Cramer
Dejan Lazic (piano)
Netherlands Chamber Orchestra, Gordon Nikolic
Lazić is a fine musician, and plays both solo pieces thoughtfully and imaginatively…The presence of a conductor…might have produced a more integrated and compelling account [of the Concerto];... —
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Reger: Piano Concerto, 6 Intermezzi
Joseph Moog (piano), Deutsche Radio Philharmonie Saarbrucken Kaiserslautern, Deutsche Radio Philharmonie Saarbrubrucken Kaiserslautern, Nicholas Milton
Moog has the virtuosity to negotiate Reger’s finger-twisting demands, as well as the tonal resources for the chordal textures of the other intermezzi. If you like the idea of Brahms on steroids,... —
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Haydn: Cello Concertos
Pavel Gomziakov ('Chevillard King of Portugal’ Stradivarius cello)
Orquestra Gulbenkian, Erik Heide
this fabulous instrument hasn’t been played regularly for a century, so his achievement in coaxing it to life is impressive indeed. Like old wine, it has depth, complexity, unpredictability,... —
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Mozart: Piano Concerto No. 9 in E-flat major, K271 'Jeunehomme', etc.
Pascal Rogé (piano)
Indianapolis Symphony Orchestra, Raymond Leppard
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Bartók: Concerto for Orchestra & Violin Concerto No. 2
Augustin Dumay (violin)
Orchestre Symphonique de Montréal, Kent Nagano
This is a performance on the wing, as is evident in his use of rubato, and his willingness to modify dynamics to maximise projection. —
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Britten & Shostakovich: Violin Concertos
James Ehnes (violin)
Bournemouth Symphony Orchestra, Kirill Karabits
Karabits and Ehnes share a powerful idea of [the Britten's] narrative, and each scene is vividly realised...Karabits draws searing clarity, balance and detail from the Bournemouth Symphony Orchestra...his... —
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Everything is beautifully phrased, and Pascal Rogé has a fabulous touch, difficult passagework often pouring out of him like a stream of glittering gemstones. —
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Bartók: The Miraculous Mandarin, Suite No. 2 & Hungarian Peasant Songs
BBC Scottish Symphony Orchestra, Thomas Dausgaard
Dausgaard exhorts the BBCSSO to milk the music for its intensity, conjuring a suitably claustrophobic and lurid setting...In general the transition moments are well handled and Dausgaard carries... —
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First-rate, spry and sensitive playing makes Graffin's and Blanken's advocacy persuasive. —
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