Oehms
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Special offer. Anton Bruckner Project: The Symphonies (Organ Transcriptions), Vol. 5
Hansjörg Albrecht (organ)
One cannot help admiring the consummate ease with which Hansjörg Albrecht communicates these vast symphonies… With a sumptuous palette of orchestral colours available, this performance is an... —
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Gluck: Ezio
Ruth Sandhoff, Kirsten Blaise, Franco Fagioli, Sophie Marin-Degor, Stefano Ferrari & Netta Or
Orchester der Ludwigsburger Schlossfestspiele, Michael Hofstetter
The quality of this performance does much to disguise the weakness of the writing. The singers superimpose their lines with musicianly phrasing; and there's further compensation in the orchestration,... —
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Special offer. Rachmaninow: The Bells & Taneyev: John of Damascus
Dmytro Popov (tenor), Anna Samuil (soprano), Vladislav Sulimsky, Czech Philharmonic Choir of Brno, Gürzenich-Orchester Köln, Dmitri Kitayenko
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Special offer. Reimann, A: Medea
Claudia Barainsky (Medea), Tanja Ariane Baumgartner (Gora), Michael Nagy (Jason), Michael Baba (Kreon), Paula Murrihy (Kreusa), Tim Severloh (Ein Herold)
Frankfurt Opera and Museum Orchestra, Erik Nielsen
Reimann seems to have selected his subject to suit the particular expressionist strengths of his own musical language, rather than tailoring his music to the specifics of the drama...the mix... —
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Special offer. Corelli a la Mode
Corelli - Sonatas
Stefan Temmingh (baroque flute) & Olga Watts (harpsichord)
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Special offer. Gluck: Iphigénie en Aulide
Camilla Nylund (Iphigenie), Michelle Breedt (Clytemnestre), Christian Elsner (Achilles), Oliver Zwang (Agamemnon), Raimund Nolte (Calchas), Thilo Dahlmann (Arcas), Richard Logiewa (Anführer)
Chorus Musicus Köln, Das Neue Orchester, Christoph Spering
[Wagner's] adjustments seem admirable, but so is Gluck's original, so this new recording is mildly luxurious...Nylund in the title role is good...Elsner seems to me one of the most promising... —
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Special offer. To touch, to kiss, to die
English Songs of Purcell, Matteis & Dowland
Valer Barna-Sabadus (countertenor), Olga Watts (harpsichord), Axel Wolf (lute), Pavel Serbin (baroque cello)
Barna-Sabadus's strikingly high countertenor displays alluring tone rather than clear diction. He's stylishly accompanied —
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Special offer. Beethoven: Symphonies Nos. 1 & 4
Saarbrucken Radio Symphony Orchestra, Stanislaw Skrowaczewski
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Special offer. Tchaikovsky: Symphonies Nos. 2 & 3
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, Christoph Poppen
