Oehms
-
Special offer. Aufbruch
Songs to Poems by Hesse and Goethe
Sophia Brommer (soprano) & Alexander Schmalcz (piano)
-
-
Special offer. Verdi: Oberto
Adrian Gans (Oberto), Francesca Lombardi Mazzilli (Leonora), Manuela Custer (Cuniza), Norman Reinhardt (Riccardo) & Naroa Intxausti (Imelda)
Choir and Supplementary Choir of the Gießen Stadttheater The Philharmonic Orchestra, Michael Hofstetter
Francesca Lombardi Mazzulli seizes her opportunities...presenting the full fury of a women twice scorned with warmth and humanity. As Cuniza, Manuela Custer’s richer, meatier mezzo makes a good... —
-
-
Special offer. Stefanie Irányi: Lamenti
Stefanie Irányi (mezzo), Rudiger Lotter, Ulrike Cramer (violins), Dietrich Cramer (viola), Isolde Hayer (cello), Olga Watts (harpischord), Gyongy Erodi (cello), Stephan Rath (lute)
Hofkapelle München, Michael Hofstetter
-
Special offer. Wie schön leuchtet der Morgenstern
A Christmas Pastorale with music and sacred songs from the early and late Baroque
Clemencic Consort, René Clemencic
-
Special offer. The Britannic Organ, Vol. 2: A Christmas Voyage
Christmas on the High Seas - Traditional Christmas Songs played by Legendary Organists
Various organists and original Welte Philharmonie music rolls, Harry Goss-Custard, Welte Roll 2005 (master), Welte Roll 1332 (master), Welte Roll 1385 (master), Welte Roll 1326 (master), Welte Roll 1323 (master), Welte Roll 4007 (master), Welte Roll 4002 (master), Welte Roll 910 (master), Lucien...
-
Special offer. Gomes: Salvator Rosa
Dae-Bum Lee, Maria Porubcinova, Ray M. Wade Jnr, Malte Roesner, Simone Lichtenstein, Kenneth Bannon, Tobias Haaks
Chor des Staatstheaters Braunschweig & Staatsorchester Braunschweig, Georg Menskes
Rosener has a well-formed, compact tone which one would not describe as heroic but which has enough robustness for Masaniello...[Wade's] top notes ring out with no sense of effort. —
-
-
Bezuyen is an experienced Wagner tenor...To begin with, his voice strikes the listener as somewhat heavy and monochrome for Schumann, but after the quiet, grief-surprised last line of the fourth... —
