Opera, Opera Arias, Saint-Saëns (composer)
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this is not any tenor, but an artist who aspires to recreate the style of the fabled French ténor de grâce with top notes sung from the head and not the chest...Crisp diction and a graceful... —
Awards:
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Presto Editor's Choice, March 2023
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International Opera Awards, 2023, Nominated - Recording (Solo Recital)
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International Classical Music Awards, 2024, Nominated - Vocal Music
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Presto Recordings of the Year, Winner 2023
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A Tribute To Pauline Viardot
RecommendedMarina Viotti (mezzo-soprano), Les Talens Lyriques, Christophe Rousset
Imperceptibly Viotti makes them her own, tender but tough in Rosina’s ‘Una voce poco fa’ and producing a cascade of diamondbright coloratura in ‘Bel raggio lusinghier’, as well as an astonishing... —
Awards:
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Presto Recordings of the Year, Finalist 2022
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Opus Klassik Awards, 2023, Nominated - Conductor of the Year & Solo Vocal
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International Opera Awards, 2023, Nominated - Recording (Solo Recital)
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Gerhardt has a honeyed, liquid tone all his own. He has created a well-contrasted programme that clearly took a long time to research and hone...This is cello playing of exquisite sophistication... —
Awards:
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BBC Music Magazine, August 2011, Chamber Choice
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Gramophone Magazine, September 2011, Editor's Choice
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Special offer. Séguedilles
RecommendedMarianne Crebassa (mezzo), Orchestre et Choeur du National du Capitole de Toulouse, Ben Glassberg; Thibaut Garcia (guitar), Alphonse Cemin (piano)
Crebassa is in tremendous voice throughout, her lower registers dark and burnished, her top notes warm, clear and effortless...Outstanding, every single second of it. —
Awards:
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Presto Editor's Choice, October 2021
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Presto Recordings of the Year, Finalist 2021
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Gramophone Magazine, December 2021, Editor's Choice
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The French items suit her slightly cool voice better. There’s a classy, moving grandeur to Didon’s ‘Adieu, fière cité’, and a lovely wistfulness to her Mignon…in short, here’s a beautifully... —
Awards:
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Presto Recording of the Week, 4th November 2016
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Presto Recordings of the Year, Winner 2016
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Special offer. Saint-Saëns - Le Carnaval des Animaux
RecommendedRenaud Capuçon (violin), Gautier Capuçon (cello), Frank Braley (piano), Michel Dalberto (piano), Emmanuel Pahud (flute), Paul Meyer (clarinet), David Guerrier (trumpet), Marie-Pierre Langlamet (harp), Béatrice Muthelet (viola), Esther Hoppe (violin), Janne Saksala (double bass), Florent Jodelet (percussion)
'What hard things,' wrote Saint-Saëns, 'have been said against virtuosity!… The fact must be proclaimed from the house-tops – in art a difficulty overcome is a thing of beauty.' There are many... —
Awards:
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Gramophone Magazine, January 2004, Disc of the Month
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Building A Library, September 2021, Recommended Recording
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Anita Rachvelishvili
Anita Rachvelishvili (mezzo-soprano)
Orchestra Sinfonica Nazionale della RAI, Giacomo Sagripanti
The voice itself has plenty of potential…It’s all there in the last track, Eboli’s ‘O don fatale’…Rachvelishvili tears into this great aria and has a proper dramatic instinct for where to change... —
Awards:
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Schallplattenkritik Awards, 2018, Winner - Jahrespreis
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International Opera Awards, 2019, Nominated - Recital Album
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Special offer. Ne me refuse pas: French Opera Arias
Marie-Nicole Lemieux (contralto)
Orchestre National de France, Fabien Gabel
This procession of femmes fatales, schemers and innocents has a point to make, and it's not just the singer's ability to get under their skin...it shows them as part of a larger movement: the... —
Awards:
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Gramophone Awards, 2011, Finalist - Recital
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Opera, June 2011, Recording of the Month
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The Record of Singing – The Very Best of Volumes 1-4
RecommendedFrom 1899 to the end of the 78 era: 1899-1952
Awards:
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Gramophone Awards, 1989, Winner - Historic vocal
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Gramophone Awards, 1979, Winner - Historical
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Gramophone Awards, 1986, Winner - Historic vocal
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Gramophone Awards, 2009, Finalist - Historic Reissue
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Gramophone Awards, 1977, Winner - Historical
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