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Special offer. Séguedilles

Marianne Crebassa (mezzo), Orchestre et Choeur du National du Capitole de Toulouse, Ben Glassberg; Thibaut Garcia (guitar), Alphonse Cemin (piano)

Séguedilles

Awards:

Crebassa is in tremendous voice throughout, her lower registers dark and burnished, her top notes warm, clear and effortless...Outstanding, every single second of it.

Gramophone Magazine, December 2021

More reviews

Special offer. Séguedilles

Marianne Crebassa (mezzo), Orchestre et Choeur du National du Capitole de Toulouse, Ben Glassberg; Thibaut Garcia (guitar), Alphonse Cemin (piano)

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Awards:

Crebassa is in tremendous voice throughout, her lower registers dark and burnished, her top notes warm, clear and effortless...Outstanding, every single second of it.

Gramophone Magazine, December 2021

More reviews

About

Marianne Crebassa’s new album celebrates her French-Spanish roots

- Centered around French composers taking inspiration from Spain and Spanish composers searching for new ideas in France- A mix of opera arias and songs from composers Bizet, Massenet, De Falla, Mompou, Offenbach, Guridi, Ravel, and Saint-Saëns

- Features hits such as the “Habanera” from Bizet’s Carmen and Falla’s “Vivan los que rien” LaVida breve

- Portraits of 5 strong female characters, “temperaments de feu”: Carmen, Dulcinée, Concepcion, Périchole, and Salud

- Recorded with the Choeur & Orchestre National du Capitole de Toulouse conducted by Ben Glassberg

- Featuring Stanislas de Barbeyrac (tenor), Adriana Gonzales (soprano), Victoire Bunel (mezzosoprano), Céline Laborie (soprano), Alphonse Cemin (piano), and Thibaut Garcia (guitar)

Contents and tracklist

Excerpt,Bizet: Carmen
Work length5:39
"Carmen, sur tes pas, nous nous pressons tous" (Chorus, Carmen)
Track length0:49
"L'amour est un oiseau rebelle" (Carmen, Chorus)
Track length4:50
Falla: Vivan los que rien! (from La vida breve)
Work length5:58
Massenet: Don Quichotte, Act I: "Dulcinée!" - "Alza! Quand la femme a vingt ans" (Dulcinée, Chorus)
Work length3:32
Guridi Bidaola: 6 Canciones castellanas
Work length11:54
No. 1, Allá arriba, en aquella montaña
Track length2:18
No. 4, No quiero tus avellanas
Track length3:04
No. 5, Cómo quieres que adivine
Track length2:38
No. 6, Mañanita de San Juan
Track length3:54
Massenet: Nuit d'Espagne
Work length3:35
Bizet: Près des remparts de Séville (Séguedille) (from Carmen)
Work length4:44
Saint-Saëns: El Desdichado
Work length3:30
Mompou: El Combat del Somni
Work length16:59
No. 1, Damunt de tu només les flors
Track length5:00
No. 2, Aquesta nit un mateix vent
Track length2:59
No. 3, Jo et pressentia com la mar
Track length2:02
No. 4, Fes-me la vida transparent
Track length3:22
No. 5, Ara no sé si et veig encar
Track length3:36
Ravel: Chanson espagnole
Work length2:17
Falla: Séguedille (No. 3 from Trois Mélodies)
Work length2:11
Excerpt,Offenbach: La Perichole
Work length5:09
"Le conquérant dit à la jeune indienne" (La Périchole, Piquillo)
Track length2:37
"Vous a-t-on dit souvent" (Piquillo, La Périchole)
Track length2:32
Ravel: Oh! La pitoyable aventure (from L'heure espagnole)
Work length3:08
Bizet: Les tringles des sistres tintaient (from Carmen)
Work length4:52

Spotlight on this release

Awards and reviews

December 2021

Crebassa is in tremendous voice throughout, her lower registers dark and burnished, her top notes warm, clear and effortless...Outstanding, every single second of it.

October 2021

It will come as no surprise to anyone who fell in love with her voluptuous Secrets a few years ago that Crebassa makes such a sensual, nuanced Carmen (a role she's yet to sing on stage), but she also displays a hitherto-unrevealed gift for comedy and rapid-fire patter in the excerpts from Offenbach's La Périchole, whilst Concepción's pent-up sexual frustration in the scene from Ravel's L'heure espagnole registers loud and clear.
Katherine Cooper

28th November 2021

Crebassa is one of the most striking young singers from across the channel. With her luminous top, plummy middle and inky chest notes, the French mezzo might have been born to sing Bizet’s Carmen.
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