Chamber, Quartets, String Quartets, Stanford (composer)
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These beautifully crafted and attractive string quartets, clearly indebted to Brahms and Mendelssohn, receive highly committed performances. The Fantasy for Horn and String Quartet, one of Stanford’s... —
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The Dante Quartet’s performances are superbly stylish and accurate; the First Quartet is led by second violinist Oscar Perks, who delivers every bit as impressively as leader Krysia Osostowicz... —
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Here is Stanford’s idiom at its most likeable, and least prolix…the Dante’s performances offer verve and precision, with immaculate recorded sound to match —
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British Classical Masterpieces
Gerald Peregrine, Antony Ingham, Roderick Williams (baritone), Iain Burnside (piano), Henry Purcell, Kym Amps, David van Asch, Maria Kliegel (cello), Nigel North (lute), Benjamin Frith (piano), Dale Kavanagh (guitar), Madeleine Mitchell (violin), Gordon MacKay, Joseph Spooner, Murray McLachlan (piano),...
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Choral Adagios
Terry Edwards, James Vivian (organ), Ben Hulett (tenor), Helen Tunstall (harp), Michael Conn (guitar), Julia Varady (soprano), Alastair Hussain (treble), Edward Gardner (cantor), Peter White (organ), Christopher van Kampen (cello), Peter Aronsky (piano), Stephen Cleobury (organ), London Voices, Choir...
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The Essential Bournemouth Symphony Orchestra
Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd (tenor), Paul Charrier, Thomas Kelly, Janice Watson (soprano), Alan Opie (baritone), James Gilchrist (tenor), Timothy Walden, Chloë Hanslip (violin), Ashley Wass (piano), Sergey Ostrovsky, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra,...
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Classical Creatures - Animals in Music
Klara Kormendi (piano), David Greed (violin), Marian Lapsansky (piano), Jeremy Nicholas (narrator), Peter Toperczer (piano), Kerenza Peacock (violin), Robert Stevenson (piano), Carys-Anne Lane (soprano), Leonard Hokanson (piano), Hakon Austbo (piano), Jeno Jando (piano)
Royal Scottish National...
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These are distinctive, fully achieved works by a composer with a profoundly serious artistic purpose. They’re each worth hearing, and the Dante Quartet go at them with red-blooded gusto and... —
