Chamber, Sonatas, Cello Sonatas, Kodály (composer)
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Coming soon. Heavenly Lights
Nicolas Altstaedt (cello), Ian Bostridge (tenor), Olli Mustonen (piano)
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Müller-Schott ends this formidable unaccompanied recital with Pablo Casals’s Song of the Birds, played with the intense focus, the sense of line and the gleaming purity of tone that characterises... —
Awards:
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Gramophone Magazine, March 2020, Editor's Choice
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Opus Klassik Awards, 2020, Winner - Solo Instrumental Recital (Cello)
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Kodály's Solo Cello Sonata is among the strongest, most searching of all his works, arguably the finest of all works for unaccompanied cello since Bach's suites, and here it receives a performance... —
Awards:
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Gramophone Magazine, January 2004, Editor's Choice
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[The Kodály is] truly sensational: impassioned, almost confessional-sounding in the slower music, with a top-speed, dazzlingly brilliant finale that conjures whirling dervishes. —
Awards:
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Gramophone Magazine, April 2023, Reissue/Archive Issue of the Month
Purchase product
CD
$12.50 -
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The starting point for this delicious and distinctive Bohemian programme was Janácek’s Pohádka...Laura van der Heijden and Jâms Coleman unleash its power in this big-boned reading, with its... —
Awards:
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Presto Editor's Choice, February 2022
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Awards:
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International Classical Music Awards, 2023, Nominated - Chamber Music
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Paul Tortelier: RIAS Recordings
Paul Tortelier (cello), Lothar Broddack (piano), Klaus Billing (piano)
The recordings…were for a live audience so silent that these could be labelled ‘studio’ events. And the selection here, released for the first time, testify both to his versatility and his excellence... —
Awards:
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Diapason d’Or, May 2020, Collectionneur
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Special offer. Souvenirs
Gautier Capuçon (cello), Deborah Nemtanu (violin), Franck Braley (piano), Renaud Capuçon (violin), Frank Braley (piano), Gabriela Montero (piano), Michel Dalberto (piano), Aude Capuçon (piano), Martha Argerich (piano), Lida Chen (viola), Gerard Causse (viola), Nicholas Angelich (piano), Yuja Wang...
Capuçon gives me practically everything I could want in a performance of [the Kodály] – narrative sweep, vibrant colour and rhythmic vitality as well as a wealth of soulful expressive detail,... —
