Choral, Hoffmann, G M (composer)
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Special offer. CANTATA - yet can I hear...
Handel, Vivaldi, and Bach
Bejun Mehta (countertenor)
Akademie fur Alte Musik Berlin
Mehta’s voice remains light and graceful, and his general ability to move around the small notes is only occasionally compromised by untidiness. The period-instrument orchestra’s flautist, Christoph... —
Awards:
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Presto Editor's Choice, March 2018
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Diapason d’Or, May 2018, Nouveauté
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Special offer. Songs for Courtiers and Cavaliers
Helen Watts (contralto), Thurston Dart (harpsichord)
Philomusica of London
An intriguing record of the roots of historically-informed performance, Helen Watts and Desmond Dupré give passionate but (by today’s standards) heavy-handed accounts. —
Awards:
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Diapason d’Or, November 2019, Collectionneur
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Awards:
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Diapason d’Or, October 2019, Réédition
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International Classical Music Awards, 2019, Nominee - Best Collection
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Scholl's highly distinctive voice, with its clarity, poise and quiet control, makes it an ideal vehicle for reflective Bach. The gentle rocking of 'Schlummert ein' (from BWV 82) would coax the... —
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Milestones of a Legend: The Lyric Tenor, Vol. 5
Ernst Haefliger (tenor), Kieth Engen, Solisten Gemeinschaft der Bachwoche Ansbach, Münchener Bach-Orchester, Münchener Chorknaben, Karl Richter
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JS Bach: Arias with piccolo cello
Sandrine Piau (soprano), Christophe Dumaux (alto), Emiliano Gonzalez Toro (tenor) & Ophélie Gaillard (cello, direction)
Ensemble Pulcinella
Ophelie Galliard plays admirably: springy in fast passages...and soulful elsewhere...Good support and lovely obbligatos from Pulcinella. —
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JS Bach & Pergolesi: Sacred Vocal Works
Gloria Banditelli (contralto), Kathleen Cassello (soprano)
Orchestra Filarmonica Marchigiana, Fabio Maestri
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Taylor stands at a real remove from the sopranist virtuosi like Max Emanuel Cencic, and even David Daniels. He sits rather more in the Scholl School...There’s a hint of Alfred Deller in the... —