Choral, Gasparini (composer)
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Kožená’s dramatic and vocal powers are wonderfully displayed in Gasparini’s kaleidoscope aria ‘Ombre, cure, sospetti’ (with its unrestrained runs and the bursts of emotion in its recitative-like... —
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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The range and power of Ernman’s voice is a delight. Her dark, rich colouring adds drama to Handel’s ‘Twas when the seas’ and the final item by Eden Ahbez brings out her bluesy soul. Fun and... —
Awards:
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Presto Recording of the Week, 31st January 2025
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Gasparini: Cantatas for Voice & Basso Continuo
Susanna Rigacci (soprano), Gabriele Micheli (harpsichord)
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Conversazioni II: Duelling Cantatas
Julian Perkins (harpsichord, director), Anna Dennis (soprano) & Andrew Radley (countertenor)
Sounds Baroque
This is a lovely disc, ingeniously programmed and lovingly performed by some outstanding musicians. —
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Scholl's voice rushes through the bloodstream —
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Special offer. Abondance: Les plus belles musiques à travers les siècles
Academia Montis Regalis (early music ensemble), Luigi Mangiocavallo, Jazzogène Orchestra, Jean-Luc Fillon, Georges Rabol, Russian Patriarchate Choir, Anatoly Grindenko, Vesna Choir, Alexander Ponomarev, Alla Francesca, Sara Mingardo (contralto), Concerto Italiano (early music ensemble), Akademia,...
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It's a rich collection, imaginatively adumbrating the talents of three master-singers of different vocal types and weights united by superior technique and musicianship. —
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