Choral, Muhly (composer)
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Kenny lacks neither extensive playing experience in chamber, orchestral or operatic contexts nor a brilliant musical imagination. She brings both to bear on these performances of ‘old and new... —
Awards:
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BBC Music Magazine Awards, 2020, Finalist - Instrumental
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Ascendit Deus: Music for Ascensiontide & Pentecost
Peter Harrison, Matthew Jorysz (organ)
Choir of Clare College, Cambridge & The Dmitri Ensemble, Graham Ross
the famous setting of Ascendit Deus by Peter Philips spurts forward like a colt sprung freshly from a stable, the vocal decorations spinning vertiginously round like Monteverdi. It's a bracing... —
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These 12 arrangements (by the ensemble) are of stylistic and historical diversity...Muhly’s Look for Me invests a US folk song with dark jazz; Janacek’s Zdenka Variations is an appealing discovery. —
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Labyrinths
Victoria Brawn, Guy Schalom, Trish Clowes (saxophone), Nicky Spence (tenor), Francesca Moore-Bridger, Jim Moray, David Gordon (piano), Mark Ashford, Diane Clarke, Eleanor Turner (harp), Sally Harrop, Orchestra of the Swan, Daniele Rosina, David Le Page
A wildly eclectic programme, which makes for an exciting listen. While some of the ensemble playing could be tighter, the solos are ethereal and thoughtful. —
Awards:
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Gramophone Awards, 2022, Shortlisted - Spatial Audio
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This is a delight of a disc. Short and slight – pared back to the essentials of both texture and repertoire – it’s a lunchtime recital rather than a full evening’s commitment, something to send... —
Awards:
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Gramophone Magazine, October 2023, Editor's Choice
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Journey Into Light
Music for Advent, Christmas, Epiphany and Candlemas
The Choir of Jesus College, Cambridge, Mark Williams
Another Oxbridge college, another fine mixed-voice choir, another gorgeously captured chapel acoustic (Mike Hatch engineering) - this selection of favourite pieces by mainly British composers... —
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The sound is rich, intimate and mesmeric, with the ability to explore surprisingly intense and complex sonorities, considering the small forces at hand. —
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It's a remarkably haunting work, exquisitely sung here. Lightening the mood considerably are Gibbons's fantasias for viols, also deftly performed. —
