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Labyrinths

Victoria Brawn, Guy Schalom, Trish Clowes (saxophone), Nicky Spence (tenor), Francesca Moore-Bridger, Jim Moray, David Gordon (piano), Mark Ashford, Diane Clarke, Eleanor Turner (harp), Sally Harrop, Orchestra of the Swan, Daniele Rosina, David Le Page

Labyrinths

Awards:

A wildly eclectic programme, which makes for an exciting listen. While some of the ensemble playing could be tighter, the solos are ethereal and thoughtful.

Labyrinths

Victoria Brawn, Guy Schalom, Trish Clowes (saxophone), Nicky Spence (tenor), Francesca Moore-Bridger, Jim Moray, David Gordon (piano), Mark Ashford, Diane Clarke, Eleanor Turner (harp), Sally Harrop, Orchestra of the Swan, Daniele Rosina, David Le Page

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Awards:

A wildly eclectic programme, which makes for an exciting listen. While some of the ensemble playing could be tighter, the solos are ethereal and thoughtful.

About

Following the success of their last album, ‘Timelapse’, this new album from Orchestra of the Swan is a collection of extraordinary works connected by ideas of pilgrimage, contemplation, exploration and enlightenment through the works of composers such as Richter, Respighi, Britten, Piazzolla, Brian Eno, Nico Muhly, Joy Division and more.

As with ‘Timelapse’, the joy is to be found in discovering the surprising and delightful connections between culturally disparate and musically contrasting time periods.

Labyrinths have been an important part of humanity’s cultural landscape for thousands of years; from the Ancient Greek myth of Theseus and the Minotaur to the intriguing stories of Jorge Luis Borges and Umberto Eco.

Our overwhelming desire to find patterns and ‘the hidden truth’ is perhaps nowhere more evident than in the subversive and complex vistas of music.

Formed in 1995, Orchestra of the Swan is a British chamber orchestra which, under the artistic direction of David Le Page, is passionate about audience inclusivity and blurring the lines between genres, through its adventurous and accessible programming.

Contents and tracklist

Awards and reviews

January 2022

A wildly eclectic programme, which makes for an exciting listen. While some of the ensemble playing could be tighter, the solos are ethereal and thoughtful.
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