Chamber, Strozzi (composer)
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She soars the heights and plumbs the depths with fitting ardour...it is hard not to be swept away by such intensity felt and highly dramatic readings...[Pitzl] and his crack instrumental ensemble... —
Awards:
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Gramophone Awards, 2011, Shortlisted - Recital
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BBC Music Magazine, November 2010, Choral & Song Choice
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Special offer. Voglio cantar
Strozzi, Cavalli, Cesti, Marini, Merula
Emöke Baráth (soprano), Il Pomo d'Oro, Francesco Corti
With extrovert support from Il Pomo d’Oro and harpsichordist-director Francesco Corti, each song becomes a vocal and dramatic showcase, emphasising abrupt switches between extreme psychologist... —
Awards:
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Opus Klassik Awards, 2019, Winner - Newcomer (singer)
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International Opera Awards, 2020, Nominated - Solo Recital Recording
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Heroines of Love and Loss
vocal chamber music from the 17th century
Ruby Hughes (soprano), Mime Yamahiro Brinkmann (cello) & Jonas Nordberg (lute / theorbo / archlute)
Ruby Hughes’s soprano has an effortless beauty: pliant, subtly expressive, never forced. She captures the chaste fervour of the sacred works…Brinkmann and Nordberg proffer aptly spontaneous... —
Awards:
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Gramophone Magazine, May 2017, Editor's Choice
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Tantalo: Baroque bel canto
Josep Maria Martí Duran (theorbo), Alicia Amo (soprano), Maximilian Ehrhardt (harp), Carlos Mena, L'Armonia degli Affetti, Alessandro Urbano
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Special offer. Udite Amanti
17th Century Italian Love Songs
Jill Feldman (soprano), Nigel North (lute)
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Special offer. Café: Orient meets Occident
Valer Barna-Sabadus (countertenor)
Pera Ensemble, Mehmet Cemal Yesilcay
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This is lovely music from a popular part of the baroque repertoire, and it receives sympathetically intimate playing from a group who achieve involving results by keeping their vocal and amorous... —
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José Lemos: Io Vidi in Terra
Jose Lemos (countertenor), Jory Vinikour (harpsichord) & Deborah Fox (theorbo)
Countertenor José Lemos’ rich voice ravishes the ear in luscious numbers such as Monteverdi’s ‘Se dolce è’l tormento’; he’s not unagile vocally, either, and handles later, more ornate works... —