Orchestral, Nørgård (composer)
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The premiere recording of Nørgård’s latest symphony is a rewarding listen, the Vienna Philharmonic bringing their perfection to his fascinating and attractive sound world. —
Awards:
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Presto Recording of the Week, 16th June 2014
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Gramophone Magazine, August 2014, Editor's Choice
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Presto Recordings of the Year, Finalist 2014
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Gramophone Awards, 2015, Winner - Contemporary
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Per Nørgård: Orchestral Works
Peter Herresthal, Jakob Kullberg, Bergen Philharmonic Orchestra, John Storgårds
Is Nørgård the greatest living symphonist? Listen and decide for yourself. —
Awards:
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International Classical Music Awards, 2024, Nominated - Contemporary Music
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There’s something almost miraculous about the way Finnish conductor John Storgards has brought this music so finely and compellingly into focus…[in the Second] all is ghostly detached sounds,... —
Awards:
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Gramophone Magazine, July 2016, Editor's Choice
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Presto Recordings of the Year, Finalist 2016
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Per Nørgård: 8 Symphonies
Ulla Munch (alto), Danish National Symphony Orchestra, Danish National Vocal Ensemble, Danish National Concert Choir, Wiener Philharmoniker, Oslo Philharmonic Orchestra, Thomas Dausgaard, Sakari Oramo, John Storgårds
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Neither work makes for easy listening, but in this superbly engineered recording the power of the writing comes over most persuasively, demanding attention. —
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A Recital for Contralto, Piano and Organ
Hanne Stavad (contralto) Tove Lønskov (piano) Jens E. Christensen (organ)
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Nørgård: Symphony No. 1 'Sinfonia austera', etc.
Danish National Radio Symphony Orchestra, Leif Segerstam
There are some striking and imaginative effects here. Very good performances too from Leif Segerstam and the Danish National Symphony Orchestra. —
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Nørgård: Symphony No. 3 'Twilight', etc.
Per Salo (piano)
Danish National Radio Symphony Orchestra, Leif Segerstam
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At times, listening to these quixotically vibrant, multi-layered scores, Jackson Pollock at his craziest has come to mind: you sense the energy in the teeming textures, but trying to find reassuring... —
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