Hi Res Download, Cavalli (composer)
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We very quickly learn just how characterful Desandre can be with her amused, laughing reactions to women in battle in ‘Non posso far’, and the dark glitter of her voice in the melancholic ‘Lasciatemi... —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Gramophone Magazine, Awards Issue 2021, Editor's Choice
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Presto Editor's Choice, October 2021
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Presto Recordings of the Year, Finalist 2021
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Record Review, Records of the Year 2021
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Opus Klassik, 2022, Female Singer of the Year
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Gramophone Awards, 2022, Finalist - Voice & Ensemble
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a maddening, fascinating and often bewitching disc —
Awards:
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Presto Recordings of the Year, Finalist 2016
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Gramophone Awards, 2017, Finalist - Recital
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International Classical Music Awards, 2017, Winner - Baroque Vocal
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The creative and attentively researched programme knits together musical and textual threads into a fast-moving sequence...Orliński carries off the programme with great élan: his bell-like voice... —
Awards:
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BBC Music Magazine, December 2023, Choral & Song Choice
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Sunday Times, 10 Best Classical Albums of 2023
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BBC Music Magazine Awards, 2024, Winner - Vocal
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The creative and attentively researched programme knits together musical and textual threads into a fast-moving sequence...Orliński carries off the programme with great élan: his bell-like voice... —
Awards:
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BBC Music Magazine, December 2023, Choral & Song Choice
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Sunday Times, 10 Best Classical Albums of 2023
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BBC Music Magazine Awards, 2024, Winner - Vocal
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Special offer. Cavalli: l'Egisto
Marc Mauillon (Egisto), Ambroisine Bré (Climene), Zachary Wilder (Lidio), Sophie Junker (Clori), Romain Bockler (Hipparco)
Le Poème Harmonique, Vincent Dumestre
This beguiling early opera by Francesco Cavalli is given an equally beguiling performance in this premiere recording made in the opera theatre at the Palace of Versailles...Dumestre provides... —
Awards:
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BBC Music Magazine, June 2023, Opera Choice
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International Classical Music Awards, 2024, Nominated - Opera
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Cavalli's sparing use of strings is densified into fivepart textures that spread like wildfire - Daucé plasters fulsome orchestral accompaniments on to many arias and recitatives devised originally... —
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Special offer. Facce d'Amore
RecommendedJakub Józef Orliński (countertenor)
Il Pomo d’Oro, Maxim Emelyanychev
It's music by Luca Antonio Predieri (a nearcontemporary of Handel’s) that really hits the mark. Predieri’s gentle lyricism and clean lines suit Orliński’s soft-grained voice well. He’s no convincing... —
Awards:
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The Times Records of the Year, 2019
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Presto Recording of the Week, 20th December 2019
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International Opera Awards, 2020, Winner - Solo Recital Recording
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Opus Klassik Awards, 2020, Nominee - Male Singer of the Year
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Opus Klassik Awards, 2020, Nominee - Conductor of the Year
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Gramophone Awards, 2020, Finalist - Recital
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Special offer. Ombra mai fu
RecommendedFrancesco Cavalli Opera Arias
Philippe Jaroussky (counter-tenor)
Artaserse
If Handel’s Xerxes has a showmanship, an aesthetic swagger that Cavalli’s lacks in the lilting prettiness of his own ode to a plane tree, we see the Italian’s skill emerge elsewhere – in the... —
Awards:
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Presto Recording of the Week, 8th March 2019
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Gramophone Awards, 2019, Winner - Recital
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Presto Recordings of the Year, Finalist 2019
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International Classical Music Awards, 2019, Nominee - Baroque Vocal
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Le Concert Royal de la Nuit
Louis XIV 1715-2015 Celebration, Special Edition
Violaine le Chenadec (soprano), Marie-Frédérique Girod (soprano), Caroline Bardot (soprano), Caroline Weynants (soprano), Amandine Trenc (soprano), Caroline Meng (soprano), Lucile Richardot (mezzo-soprano), Dagmar Sasková (mezzo-soprano), Stephanie Leclerc (contralto), Stephen Collardelle (countertenor),...
Some of the music for ‘La Nuit’ is genuinely atmospheric and is sung with sustained tone and exquisite ornamentation by Lucile Richardot … The instrumental accompaniment is unfailingly funny... —
Awards:
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Gramophone Magazine, November 2015, Editor's Choice
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Gramophone Awards, 2016, Finalist - Baroque Vocal
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Special offer. Cavalli: Heroines of the Venetian Baroque
Mariana Flores (soprano), Anna Reinhold (mezzo)
Cappella Mediterranea, Leonardo Garcia Alarcon
Flores's softer languid singing aptly conveys a nymph's erotic longing for the return of her lover Jupiter…[Isifile's lament] is sequenced next to a vividly dramatic account of her rival Medea's... —
Awards:
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Gramophone Awards, 2016, Shortlisted - Recital
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