Download, Cowell, H (composer)
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The galvanising force is Robert Trevino, the orchestra’s gifted MexicanAmerican conductor, who has shaped a programme of American musical landscapes both pleasurable and baffling...Ondine’s... —
Awards:
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Presto Recording of the Week, 1st October 2021
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Presto Recordings of the Year, Winner 2021
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Gramophone Awards, 2022, Shortlisted - Orchestral
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Harpsichord pandemonium – thrills and thought provocation for commoners and connoisseurs alike. —
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CD + Blu-ray Audio
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Americana
Celia Nicklin (oboe & cor anglais) & Michael Laird (trumpet)
Academy of St Martin in the Fields, Sir Neville Marriner
Few anthologies find room for a symphony; but this one does, and in doing so offers us a very good one, Ives's Third: three gently affectionate movements (for once no jokes, no revolutions)... —
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Special offer. American Classics - Henry Cowell
A Continuum Portrait - 2
Continuum: Ellen Lang (mezzo-soprano), Mia Wu (violin), Jayn Rosenfel (flute), Marsha Heller (oboe), Maria Kitsopoulos (cello), Cheryl Seltzer (harpsichord / piano), Joel Sachs (piano / conductor)
Henry Cowell was an avant-garde pioneer with his tone-clusters; became a multi-culturalist, some of whose music falls midway between East and West; and was an inspiration to younger American... —
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Marriner & The Academy: 20th Century Classics
Jack Brymer (clarinet), John Ogdon (piano), John Ogdon (piano) & John Wilbraham (trumpet), Celia Nicklin (cor anglais) & Michael Laird (trumpet), Celia Nicklin (oboe)
Academy of St Martin in the Fields, Sir Neville Marriner
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Four American Landscapes
Los Angeles Janssen Symphony Orchestra, La Jolla Musical Arts Society Orchestra, Werner Janssen, Nikolai Sokoloff
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Special offer. American Classics - Henry Cowell
A Continuum Portrait - 1
Continuum: Ellen Lang (mezzo-soprano), Mia Wu (violin), Jayn Rosenfel (flute), Marsha Heller (oboe), Maria Kitsopoulos (cello), Cheryl Seltzer (harpsichord / piano), Joel Sachs (piano / conductor)
These always approachable pieces are consistently performed by Continuum with rare affection and a fine sense of style, nowhere more so than their wonderfully sculptured reading of the late... —
