Werner Herbers
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The sheer verve and power of his music leads one to think of Revueltas as primarily an orchestral composer, but many of his works are written for relatively modest forces (or started out that... —
Awards:
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Gramophone Magazine, November 2004, Editor's Choice
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Wolpe in Jerusalem (1933-1938)
Ensemble Recherche & WDR Symphony Orchestra, Werner Herbers & and Johannes Kalitzkeon
The Passacaglia (1936-37), more familiar as a piano piece, complex and abstract, is also strongly directional with highly virtuoso use of the orchestra. More approachable for general listeners... —
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Henry Brant: Ant Hen
Reinbert de Leeuw (piano), Vera Beths (violin), Barbara Hannigan (soprano), Marie Berard (violin), David Hetherington (cello), Simon Fryer (cello), Douglas Perry (viola), Joan Watson (horn), Trevor Tureski (percussion), Fujiko Imajishi (violin), Yvar Emilian Mikhashoff (piano), Robert Stevenson (clarinet),...
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Ladder of Escape 2
Robby Faverey, Rien de Reede, Rey Guerra, Brian Pollard, Stanley Noordpool, Werner Herbers, Jaap van Zweden
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Special offer. Channel Classics 30th Anniversary Album - Gramophone Editor's Choices
Rachel Podger (violin), Matthew Wadsworth (lute), Florilegium (early music ensemble), Johannette Zomer (soprano), Netherlands Bach Society (early music ensemble), Jorge Lopez-Escribano, Benedikt Enzler, Mike Fentross, Wim Van Hasselt, Jörgen van Rijen (trombone), Ebony Band (miscellaneous ensemble),...
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Special offer. Dancing
The Jazzfever of Milhaud, Martinu, Seiber, Burian & Wolpe
Ebony Band, Werner Herbers
It's a diverting collection and, as you'd expect of players from what is arguably the world's greatest orchestra, it's wonderfully well played, too. —
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Special offer. Achtung, Aufnahme!!
Lilia Milek (soloist), André Post (soloist), Dirk Laplasse (soloist), Matthijs van der Woerd (soloist), Romain Bischoff (soloist), Harry van der Kamp (soloist), Franziska Hirzel (soloist), Terence Mirau (soloist), Ebony Band, Cappella Amsterdam, Werner Herbers, Daniel Reuss
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Around Prague provides a rare snapshot of Prague in the 1920s and 1930s when it was a cultural hotspot which, if perhaps not quite rivalling the legendary richness of Paris, certainly offered... —
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It is fascinating to see how composer like Regamey and Koffler negotiated their way through the technical and stylistic labyrinths of the time while simultaneously coping with extreme difficulties... —
