Gershwin
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Crazy Girl Crazy: Music by Gershwin, Berg and Berio
Recommendedincluding bonus documentary DVD
Barbara Hannigan (soprano/conductor)
Ludwig Orchestra
Crazy Girl Crazy is an album that – just like its muse and protagonist – flouts the rules…The litheness of Hannigan’s voice beguiles, so that the near-segue into the Lulu Suite (1934) comes... —
Awards:
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Presto Recording of the Week, 22nd September 2017
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BBC Music Magazine, December 2017, Recording of the month
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Presto Recordings of the Year, Finalist 2017
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The New York Times, Recordings of the Year 2017
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Grammy Awards, 60th Awards (2017), Best Classical Solo Vocal Album
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Opus Klassik Awards, 2018, Winner - Solo Recording - voice (Oratorio/Concert/Lied)
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There's scrupulous attention to words, elegant phrasing, and a happy partnership with the pianist Kevin Miller, handsomely on show in three demanding Vocalises by Carlos Simon. —
Awards:
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Presto Recording of the Week, 17th July 2026
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Hewitt’s spacious, uncluttered approach revels unashamedly in the pianism while still letting the original songs sing. The real treats are Hewitt’s own arrangements...In all, this beautifully... —
Awards:
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Presto Editor's Choice, July 2021
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BBC Music Magazine, September 2021, Instrumental Choice
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In short, this highly recommendable collection represents a model of imaginative and provocative programming. —
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My American Story – North
RecommendedDaniil Trifonov (piano), The Philadelphia Orchestra, Yannick Nézet-Séguin
a heartfelt and considered album, delivered with a refreshing smile – and first-rate musicianship. —
Awards:
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Presto Recording of the Week, 11th October 2024
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Presto Recordings of the Year, Winners 2024
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International Classical Music Awards, 2025, Nominated - Assorted Programs
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[In the Coleridge-Taylor Impromptu] Kanneh-Mason’s controlled phrasing and shimmering tone is exquisite. —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Gramophone Magazine, August 2021, Editor's Choice
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Presto Editor's Choice, July 2021
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Hannigan is in no hurry to evoke the sultriness of the day on Catfish Row: street cries, rendered by the wind and brass of the Gothenburg Symphony, echo hauntingly through the opening tableau.... —
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This is audibly a hugely enjoyable collaborative venture, the mellow warmth of the four saxophones and the contrasted tonal colouring of Jang Eun Bae’s piano providing a surprisingly convincing... —
Awards:
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International Classical Music Awards, 2024, Nominated - Chamber Music
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Johann Strauss II: Die Fledermaus
Hilde Güden (Rosalinde), Waldemar Kmentt (Eisenstein), Giuseppe Zampieri (Alfred), Erika Köth (Adele), Regina Resnik (Orlofsky), Peter Klein (Blind), Walter Berry (Falke), Eberhard Wächter (Franke), Erich Kunz (Frosch)
Wiener Staatsopernchor & Wiener Philharmoniker, Herbert Von Karajan
Camp charm, beguiling lyricism, all the dialogue and star turns flown in for the traditional gala party, from Leontyne Price singing 'Summertime' to Birgit Nilsson trading a hit from My Fair... —
Awards:
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BBC Music Magazine, March 2026, Archive Choice
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