Summertime
Isata Kanneh-Mason (piano)
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Gramophone Magazine, August 2021, Editor's Choice
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Presto Editor's Choice, July 2021
[In the Coleridge-Taylor Impromptu] Kanneh-Mason’s controlled phrasing and shimmering tone is exquisite.
Summertime
Isata Kanneh-Mason (piano)
Purchase product
Awards:
-
Gramophone Magazine, July 2026, Critics' Choice 2021
-
Gramophone Magazine, August 2021, Editor's Choice
-
Presto Editor's Choice, July 2021
[In the Coleridge-Taylor Impromptu] Kanneh-Mason’s controlled phrasing and shimmering tone is exquisite.
About
Isata Kanneh-Mason said, “I am delighted to be presenting my second solo album Summertime, which features a rich array of pieces from many of my favourite American classical composers. The Barber ‘Piano Sonata’ forms the anchor around which the rest of the album was developed; I fell in love with the piece the first time I heard it, and it’s a real pleasure to have recorded it for Decca. I wanted this album to illustrate the diversity of music in America at that time, and so it was important to me to include the more familiar Gershwin songs, as well as the Samuel Coleridge-Taylor spirituals to which I feel a personal connection.”
Summertime’s diverse programme is centred around Samuel Barber’s ‘Piano Sonata in E-flat minor’ which was performed by Vladimir Horowitz, one of Isata Kanneh-Mason’s great musical influences, at its premiere in 1949.
The album includes a world premiere recording of Samuel Coleridge-Taylor’s ‘Impromptu No.2 in B Minor’, released 110 years after it was originally published in London, and three of his transcriptions of American spirituals including ‘Sometimes I Feel Like a Motherless Child’, released as the first single today. Coleridge-Taylor was inspired by traditional African-American music and sought to integrate it into the classical tradition in the same way as Brahms did with Hungarian folk music, Dvorak with Bohemian music, and Grieg with Norwegian. Coleridge-Taylor came to England from Sierra Leone, mirroring Isata’s mother’s heritage.
Contents and tracklist
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
- Isata Kanneh-Mason (piano)
- Recorded: 2021-03-01
- Recording Venue: Philharmonic Hall, Liverpool
Spotlight on this release
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Awards and reviews
-
Gramophone MagazineJuly 2026Critics' Choice 2021
-
Gramophone MagazineAugust 2021Editor's Choice
-
Presto Editor's ChoiceJuly 2021
September 2021
[In the Coleridge-Taylor Impromptu] Kanneh-Mason’s controlled phrasing and shimmering tone is exquisite.
August 2021
‘Summertime’ indeed, from a profound and greatly gifted artist who radiates warmth, joy and much-needed musical sunshine.
July 2021
Kanneh-Mason’s survey of predominantly twentieth-century American piano music is a delight from start (a fantastically heat-hazy Summertime via Earl Wild) to finish (Samuel Coleridge-Taylor’s arrangement of Sometimes I Feel Like A Motherless Child, played with real tenderness and heart). Highlights along the way include a wonderfully atmospheric account of Amy Beach’s By the Still Waters and a characterful, delightfully impish depiction of Copland’s Cat and Mouse.
31st July 2021
This beguiling recital of music by (mainly) American composers…shows the young British pianist’s multifaceted musical personality. She brings muscularity and grandeur to the Barber, saving her quicksilver, jazzy flamboyance for the Gershwin. Percy Grainger’s arrangement of The Man I Love, from Gershwin’s own piano transcription, languid and sensuous, harmonies sinking lazily, is a gem.