Wild
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[In the Coleridge-Taylor Impromptu] Kanneh-Mason’s controlled phrasing and shimmering tone is exquisite. —
Awards:
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Gramophone Magazine, July 2026, Critics' Choice 2021
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Gramophone Magazine, August 2021, Editor's Choice
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Presto Editor's Choice, July 2021
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Rhapsody
RecommendedMartin James Bartlett (piano), London Philharmonic Orchestra, Joshua Weilerstein
It’s a joyful display, full of warmth, character and the singing tone that Bartlett has come to be known for... The emphasis is on spontaneity rather than virtuosity for its own sake, with an... —
Awards:
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Gramophone Magazine, April 2022, Editor's Choice
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Presto Recordings of the Year, Finalist 2022
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The Gershwin Moment
RecommendedKirill Gerstein (piano), Storm Large (vocals), Gary Burton (vibraphone)
St. Louis Symphony Orchestra, David Robertson
What [Gerstein] serves up here is living, breathing Gershwin that doesn’t shy from improvisation and yet retains all the crystal clarity and architectural cohesion of his interpretations of... —
Awards:
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Gramophone Magazine, March 2018, Editor's Choice
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Presto Editor's Choice, February 2018
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Presto Recordings of the Year, Finalist 2018
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[In 'Sorrow in Springtime'] and in ‘Floods of Spring’, Op. 14, No. 11, pianist Vittorio Forte underlines the impressionistic elements. (The Bechstein piano is carefully captured by specialist... —
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Downloads
Audio formats guide
![Earl Wild: [re]visions - Piano Transcriptions](https://d1iiivw74516uk.cloudfront.net/eyJidWNrZXQiOiJwcmVzdG8tY292ZXItaW1hZ2VzIiwia2V5IjoiODg3NDYzMC4xLmpwZyIsImVkaXRzIjp7InJlc2l6ZSI6eyJ3aWR0aCI6MzAwfSwid2VicCI6eyJxdWFsaXR5Ijo2NX0sInRvRm9ybWF0Ijoid2VicCJ9LCJ0aW1lc3RhbXAiOjE3NTE4Njc5NzN9)
