Peerson
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New. Troubled Times: Music and Espionage in Renaissance England
The Queen's Six, Rose Consort of Viols
The Queen's Six bring to this repertoire the seamless blend you'd expect from singers who share not merely a concert platform but a postcode within Windsor Castle's walls. Indeed, their daily... —
Awards:
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Gramophone Magazine, July 2026, Editor's Choice
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The paradox of this disc is that, though devoted to melancholy, much of the music speaks of innocence and joy; perhaps it expresses a still small hope for the future. —
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An Elizabethan Christmas
RecommendedByrd, Holborne, Gibbons, Peerson, Weelkes
Helen Charlston (mezzo-soprano), Emma Walshe (soprano), Lucy Cox (soprano), Amy Lyddon (vocalist), Guy Cutting (tenor), Malachy Frame (baritone), Edmund Saddington (bass-baritone), Fretwork, Richard Boothby
The songs are interspersed with short instrumental pieces, including two genial fantasies ‘for ye great dooble bass’ by Gibbons. All are played with Fretwork’s typical attunement to the sensibilities... —
Awards:
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Presto Recording of the Week, 3rd December 2021
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The ‘reconstitution’ of Tallis Libera nos as a brief choral work is very effective and the inclusion of the rich music of the 17th-century recusant Peerson is a welcome revelation… The singing... —
Awards:
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Gramophone Awards, 2014, Shortlisted - Early Music
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The performances are shapely and expressive, leaving nothing to be desired in technical polish. Connoisseurs will rejoice to have this rare music brought to life for all to hear.' —
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Special offer. The Fall of the Leaf
English Keyboard Music on the Rucellai Virginal
Giulia Nuti (early keyboard instruments)
Even in the sometimes twisting inner voices, she makes each and every note, chord, and phrase stand out so that we have a fine sense of the complexity of these arrangements. Clarity and a fine... —
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O Poore Distracted World!
English Songs & Anthems
Yulia Van Doren, Shannon Mercer (sopranos), Matthew White (alto), Charles Daniels (tenor), Tyler Duncan (baritone) & Robert Macdonald (bass)
Les Voix Baroques, Alexander Weimann
The use of single voices takes on the atmosphere of refined domestic devotional music, ideal for In guilty night by Robert Ramsey...Les Voix Baroques also excel in Purcell's more famous setting... —
Purchase product
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Purchase product
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Audio formats guide -
Purchase product
Downloads
Audio formats guide