An Elizabethan Christmas
Byrd, Holborne, Gibbons, Peerson, Weelkes
Helen Charlston (mezzo-soprano), Emma Walshe (soprano), Lucy Cox (soprano), Amy Lyddon (vocalist), Guy Cutting (tenor), Malachy Frame (baritone), Edmund Saddington (bass-baritone), Fretwork, Richard Boothby
Awards:
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Presto Recording of the Week, 3rd December 2021
The songs are interspersed with short instrumental pieces, including two genial fantasies ‘for ye great dooble bass’ by Gibbons. All are played with Fretwork’s typical attunement to the sensibilities...
An Elizabethan Christmas
Byrd, Holborne, Gibbons, Peerson, Weelkes
Helen Charlston (mezzo-soprano), Emma Walshe (soprano), Lucy Cox (soprano), Amy Lyddon (vocalist), Guy Cutting (tenor), Malachy Frame (baritone), Edmund Saddington (bass-baritone), Fretwork, Richard Boothby
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Awards:
-
Presto Recording of the Week, 3rd December 2021
The songs are interspersed with short instrumental pieces, including two genial fantasies ‘for ye great dooble bass’ by Gibbons. All are played with Fretwork’s typical attunement to the sensibilities...
About
Viol consort Fretwork and mezzo soprano Helen Charlston explore the more reflective and sombre Christmas celebrations of Elizabethan England, in a collection of works by William Byrd, Anthony Holborne, Orlando Gibbons and Martin Peerson.
With celebrations confined strictly to the 12 days from Christmas Eve to Epiphany, the preceding Advent was regarded as a time of religious introspection, with music composed to mark both fasting and feasting. Byrd's consort songs for voice and 5 viols encompass this range, from the joyous Out of the Orient Crystal Skies - ending with an exuberant 'Falantidingdido', a word whose meaning is lost to history - to his Lullaby, a 'song of sadnes and pietie 'that became one of Byrd's most enduringly famous songs.
In 2021, Fretwork celebrates its 35th anniversary. In the past three and a half decades they have explored the core repertory of great English consort music, from Taverner to Purcell, and made classic recordings against which others are judged. In addition to this, Fretwork have become known as pioneers of contemporary music for viols, having commissioned over 40 new works.
Acclaimed for her musical interpretation, presence and “warmly distinctive tone” (The Telegraph), Helen Charlston is quickly cementing herself as a key performer in the next generation of British singers. Helen won first prize in the 2018 Handel Singing Competition and was a finalist in the Hurn Court Opera Competition, and the Grange Festival International Singing Competition.
Recorded in St Magdalen Church, Sherborne, Gloucestershire, UK from 15th – 17th May 2019 and 7th –8th October 2020
Contents and tracklist
- Helen Charlston (mezzo-soprano), Emma Walshe (soprano), Lucy Cox (soprano), Amy Lyddon (vocalist)
- Fretwork
- Richard Boothby
- Helen Charlston (mezzo-soprano), Amy Lyddon (vocalist), Emma Walshe (soprano), Guy Cutting (tenor), Malachy Frame (baritone)
- Fretwork
- Richard Boothby
- Helen Charlston (mezzo-soprano), Amy Lyddon (vocalist), Malachy Frame (baritone), Edmund Saddington (bass-baritone)
- Fretwork
- Richard Boothby
- Helen Charlston (mezzo-soprano), Lucy Cox (soprano), Amy Lyddon (vocalist), Guy Cutting (tenor), Malachy Frame (baritone), Edmund Saddington (bass-baritone)
- Fretwork
- Richard Boothby
Spotlight on this release
Awards and reviews
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Presto Recording of the Week3rd December 2021
Christmas 2021
The songs are interspersed with short instrumental pieces, including two genial fantasies ‘for ye great dooble bass’ by Gibbons. All are played with Fretwork’s typical attunement to the sensibilities of the Elizabethan period.
December 2021
The ensemble’s viols reach out of An Elizabethan Christmas in an almost tangible embrace, topped out by the creamy and calorific voice of Helen Charlston, a true alto with a hint of countertenor colouring…This is the Christmas disc I’ll be asking Santa for a hard copy of this December.
3rd December 2021
it’s an intimate programme showcasing that uniquely Tudor style straddling both sacred and secular – avowedly religious works, but intended for use in the home rather than the church…Charlston’s unfussy voice contrasts pleasingly with the viols’ sonority and all the performers audibly relish the subtle syncopation of Byrd’s style.
9th December 2021
These viol pieces and consort songs were private music, and the atmosphere is inward-looking…The songs are beautifully delivered by the mezzo-soprano Helen Charlston, who sings with firm yet confiding tone and lends the same sense of potentially endless expansion to her lines as do the viol players.